Wednesday, April 6, 2011

Jerry Lee Lewis in Chicago Sat., July 9 at the Congress Theater



Holy crap! One of the pioneers of rock n' roll, Jerry Lee Lewis, is coming to Chicago on Saturday, July 9! Wha! Ken Lovelace and the Memphis Beats will be supporting. Tickets are $30 for general admission, $100 VIP/all you can drink and $100 front row seating. Tickets go on sale this Saturday at 10 a.m. This is all presented by Riot Fest, which brought us Chuck Berry in January. Stokage!

Tuesday, April 5, 2011



Dinosaur Jr.'s gonna go on tour and perform its 1988 album, "Bug" all the way from start to finish. Support for this tour will vary from town to town, but includes The Flaming Lips, Henry Rollins, Thurston Moore, Deerhoof, OFF! and Fucked Up.

06-21 Northampton, MA - Calvin Theatre *@$
06-22 Boston, MA - The Paradise *^%
06-23 New York, NY - Terminal 5 *^#%
06-24 Philadelphia, PA - Electric Factory *^%
06-25 Washington, DC - 9:30 Club *^%
07-01 London, England - Alexandra Palace *&

* performing Bug in its entirety
^ with Off!
# with Fucked Up
& with the Flaming Lips and Deerhoof
@ with Thurston Moore
$ with Henry Rollins talking show
% with Henry Rollins interviewing

Why Don't You Stream Teenage Bottlerocket's New Tune?



I want you to...

Mutilate Me.

Don't Pay To Cum



To celebrate Record Store Day 2011, Bad Brains released a remastered version of the Pay To Cum 7'' ("Pay To Cum" b/w "Stay Close To Me"), which arguably launched hardcore punk music. Until Record Store Day is over, the band is giving away high-quality (320 kbps MP3s) of the 7'' right here. The download includes the cover art and the lyrics sheet. Click here for a list of participating Record Store Day 2011 stores.

Current Bad Brains tour dates:

April 20 - Greek Theater, Los Angeles, CA
April 21 - House of Blues, Las Vegas, NV
April 22 - Summit Music Hall, Denver, CO
June 16 - West Coast Riot, Gotheburg, Sweden
June 18 - Hell/Heaven Fest, Clisson, France
June 24 - Azkena Rock Festival, Vitoria Gsteiz, Spain

T.S.O.L./Shot Baker U.S. Tour Announced



Wow!!! T.S.O.L. and Shot Baker are embarking on a U.S. tour in May. Looks like the tour in coinciding with T.S.O.L. singer, Jack Grisham's memoirs release.

These are the tour dates released thus far:

5/5 San Antonio, TX @ Korova
5/6 Austin, TX @ Red Seven
5/8 Dallas, TX @ Double Wide
5/14 Chicago, IL @ Reggie's Rock Club
5/16 Omaha, NE @ Waiting Room

Circle Takes The Square At Work On Long-Awaited Album, Decompositions Volume 1



From Secret Service Publicity:
April 5, 2011 – Los Angeles, CA – In 2004, Savannah based experimental post-hardcore group Circle Takes the Square turned the scene on its ear with the release of their critically heralded, ferocious debut full-length, As the Roots Undo; Seven years later, the band has made their long-awaited return to the studio to record their highly anticipated follow-up, Decompositions Volume 1, which they will self-release this fall on their newly formed label Gatepost Recordings.

Since the release of As the Roots Undo, Circle Takes the Square have been far from idle. In 2007, dueling vocalists and core members Drew Speziale (vocals/guitars) and Kathleen Stubelek (vocals/bass) recruited former Mare drummer Caleb Collins and longtime friend David Rabitor as the second guitarist to round out their current lineup. Following a tour with Thursday and Portugal the Man, the band posted a live demo of new material online which sparked rumors of a new album. Although Speziale and Stubelek had a handful of new material they were inspired to forgo recording to explore new ideas with Collins and Rabitor.

“The process of creating Decompositions Volume 1 was lengthy and trying, to say the least, but ended up being an extremely educational and musically horizon-broadening experience- of particular value for a band that has always challenged itself and attempted to occupy a space beyond the bounds of its own limitations,” says Speziale. “The first phase of our songwriting sessions was to generate raw material in the form of short collections of riffs that we would jam together and organize into loose outlines for songs. We considered these to be "sketches", and by the end of 2008 we had manifested the basic musical vocabulary that would define our evolving sound. Then, the task of structuring the final versions of the lengthy songs we were creating began. For the next year and a half we attempted to balance the important and demanding developments within our personal lives (three marriages, an engagement, and two of us relocating to another region of the country), while still working on our music and making as much progress as possible with our songs.”

Despite complicated logistics and personal demands, Circle Takes the Square finished writing Decompositions Volume 1 through intense, long-distance writing sessions and convened at Rockstudio on January 1, 2011 in Brunswick, GA with As The Roots Undo producer Anthony Stubelek to record the album.

“From the very beginning of the writing process, our mission statement was to comprehensively explore the musical themes that we were creating,” Speziale adds. “We set out to build upon the stylistic foundation we had established with As the Roots Undo, but were determined to provide ourselves with the room to experiment, and try our hands at more repetition, variation and management of space in ways we hadn't attempted before. We decided not to let song-length or other logistical limitations inhibit the sprawling arrangements we were crafting, and ventured to grant each individual idea within our multi-movement songs its own chance to meander and evolve: sometimes in linear ways, and sometimes within the framework of more traditional progressions. Our emphasis on fine-tuning, experimenting with, and expanding our approach to song structure enabled the creation of the three fully-arcing, musical story-lines that will make up Decompositions Volume I (which has a running time of 50-plus minutes).”

Circle Takes the Square will reconvene the first week of April for their next studio session. Keep track of the progress and news about Decompositions Volume 1 on the band’s blog, Facebook and Twitter.

Friday, April 1, 2011

Thursday to release sixth studio album, No Devolucion, April 12



Press Release from Secret Service Publicity:
Los Angeles, CA – New Jersey's passionate rock band Thursday returns on April 12 with their most dynamic album to date, No Devolución. On their sixth studio album, Thursday explores elements of post-rock, indie, art and experimental styles, blending it all with their post-hardcore roots for a beautifully cathartic experience unlike anything they’ve done before. Check the stream of “Magnets Caught in a Metal Heart” at SPIN.com and “Past and Future Ruins” at Absolutepunk.net.

"This is a really different record and we thought we should just come out of the gates with a really different song," Rickly tells SPIN.com. “We were always tempering our desire to make something that was more graceful, more sweeping, and this record was the first one where we said, 'You know what? Who cares? Let's say our career is over tomorrow, who fucking cares? Let's make something beautiful.'”

Emotionally charged atmospheric guitars, rhythm and keyboards swirl in unison with Rickly’s inimitably intense vocals, painting a powerful cinematic-like soundscape and grabbing hold of listeners with each twisting turn. No longer merely the “screamo” band of yore, Thursday has transcended the genre they helped to spark with No Devolución, which translates to “No Returns,” an appropriate title for a band consistently moving forward.

No Devolución wastes no time with the frantic urgency of “Fast to the End,” which strikes a perfect balance between new and old styles. Tom Keeley and Steve Pedulla’s elaborate guitar work, Tucker Rule’s driving percussion, Tim Payne’s rhythmic bass and Andrew Everding’s powerful keyboards fuel the narrative for Rickly’s deeply personal tales of undying devotion, a theme found throughout the album. “Records are always written about new love or break-ups but no one ever writes records about long term devotion,” says Rickly. “After 13 years as a band, this theme seemed self-evident.”

No Devolución’s theme of devotion can be felt as the dramatic arc of the album unfolds. Segueing seamlessly from one to another, “No Answers” and “A Darker Forest” find Thursday at their most vulnerable place ever. Rickly’s haunting vocals float through fields of atmospheric guitars and keyboards, building to the album’s first single “Magnets Caught in a Metal Heart,” a stunning and memorable song of love’s bittersweet attraction.

Thursday continues the intensity with “Past & Future Ruins,” a surging blast of post-rock, slowing only momentarily for the somber “Empty Glass,” an emotionally raw song set to an organ that tears at the heart with every word of Rickly’s vocals. “Open Quotes” races back cutting sharp turns with intricate guitars under Rickly’s echoing vocals, right into the searing indie rock anthem “Millimeter.” Rule’s rhythm provides the backbone to Keeley, Pedulla, Everding and Payne’s sonic landscape on “A Gun in the First Act” and “Sparks Against The Sun” while Keeley and Pedulla lead the rhythmic assault on “Turnpike Divides,” which is sure to be a fan favorite.

Thursday’s parting salvo on No Devolución is “Stay True,” a stunning post-rock track that evokes the epic sweep of Explosions in the Sky and the powerful intensity of Mogwai all the while maintaining a sound which is distinctly Thursday. Rickly sings “We've all got a lot to lose. Whatever else you do, Stay True.” And that is exactly what the band has done here. Moving forward yet staying true to themselves along the way.

Upon completing the album, Rickly says he searched for the perfect artwork to capture the record’s evolving sound and eventually stumbled on artist Mia Pearlman. “I saw an image of Mia Pearlman's "Eye" which is a giant white paper installation and kept thinking about it,” says Rickly. “Eventually, I realized she lived near me and approached her about making a cut paper piece as our album artwork. We're thrilled. The record sounds like her work looks.”


No Devolución Track Listing:
1. Fast to the End - 3:21
2. No Answers - 4:53
3. A Darker Forest - 3:40
4. Sparks Against the Sun - 4:47
5. Open Quotes - 2:55
6. Past and Future Ruins - 4:15
7. Magnets Caught in a Metal Heart - 3:42
8. Empty Glass - 4:59
9. A Gun in the First Act - 5:02
10. Millimeter - 2:48
11. Turnpike Divides - 4:54
12. Stay True - 7:53