The Old Wives/The Blame Its Split 7'' review

So I get this piece of mail the other day from Canada. I was like, "What the fuck am I getting from Canada?" And right after I finished thinking those words, I thought, "Ohhh yeahhhh."
This thing rules. It's release #001 on Eat Shit and Die Recordings, a label run out of Canada and was released on May 8. It's also on white vinyl, might I add. Not sure of the pressing and all the collector/obsessive nerd details, but here goes.
The first track by The Old Wives is called "Losing All Control." At first I thought my stereo was fucked up or something, but it starts out all scratchy and low - a really cool effect for when they bring it up and start rocking.

My turntables' gears got to turning and I immediately thought the lead singer sounded like whats his face from Face To Face. Which rules, cause I'm a really big Face To Face fan. Well, a kinda big one since I can't think of the dude's name. But anyways, "Losing All Control" is a catchy tune. They're a pretty straight-up pop punk band but instead of singing love songs and having that vulnerable, sensitive air about them, they lean towards the slightly snotty, harder-edged pop punk.
"Shut Up" is about wanting to not hang out with (maybe ditching) a chick because all she does is talk and tell boring, stupid stories.
It's definitely the best song on the split between both bands. The Old Wives are one of those bands that are standard pop punk, yet original, catchy and good enough to have you singing along, appreciating the lyrics and at the very least, tapping your feet around.

The Blame Its were cool too, but the thing that bugged me about the album cover was that there was no hyphen between "Blame" and "Its." Which is cool, I don't care...too much.
Their first track was called "Beer and Anti-Depressants," which sounds pretty cool on the surface, but I didn't really hear anything about either one of those things in the song. His voice is a bit harder to hear than the dude from Old Wives. They are good though, kind of drawing an obvious vocal and instrumental influence from The Riverdales, Screeching Weasel and I wanna say just a pinch of Smoke or Fire/Banner Pilot there too. They are also pop punk, singing songs about inebriation (I think) and girls.
Speaking of girls, the second song is called "Wants To Can't Have," which I don't really understand and keep thinking it should be called "Want What I Can't Have" or something. Man, this band might be full of grammatical errors. Anyway, the opening bass parts are rad. There are a lot of group vocals, making it fun and like The Old Wives, tempting to sing along...if I could make out the words, that is.

The only complaint I have with this release is that there is no insert. It would be nice to have some lyrics and names with who does what. The lyrics for either band aren't exactly the easiest to make out. It's not Chinese Telephones hard, but it's not really easy either. All in all, I would say this is worth picking up, especially for The Old Wives side of it. "Losing All Control" and "Shut Up" are becoming instilled in my brain, making me want to hear more Old Wives because I can only listen to the same song so many times in one day without having a mental breakdown and involuntarily shitting my pants. Check out The Old Wives and The Blame Its from Edmonton, Alberta, Canada! I bet they play shows together and hang out.

Top 10 Albums of 2017

AMOS PITSCH - LAKE EFFECT (FORWARD)

From suburban Wisconsin, Tenement frontman Amos Pitsch released his first solo album this year of winter and solstice-themed songs dusted with holiday spirit. This album features all originals as well as DUSK bandmate Julia Blair on cello, viola and violin. Everything was written and recorded in-house, at the Crutch of Memory studio/residence ran by Pitsch and bandmates. Lake Effect is a montage of feelings, reminiscent of the season, easily resonant with Midwesterners all-too-familiar with the scenes found therein. Pitsch offers new perspectives on the holidays with tracks like the lonely "Empty Box to Hold" and "Shiny Things to Stop Your Tears."

CAPITALIST KIDS - BRAND DAMAGE (ECCENTRIC POP)

Austin's Capitalist Kids is back with its brand of political-driven, hook-on-hook satire blended with honest, heart-on-its sleeve pop punk in over three years. This time around, the Cap Kids hit us with unexpected time changes, infectious hooks and unabashed left-leaning themes that yell what most of us never muster the guts to verbalize. They're unique in the sense that they capture old school '90s Lookout!-style pop punk fans as well as bring in new, youthful fans, not relying too heavy on nostalgic chord progressions or song structures. The Cap Kids are spot-on with its harmonies, and this summer, they ambitiously toured this record as a three-piece. I was thankful to have opened for them.

LEMURIA - RECREATIONAL HATE (TURBO WORLDWIDE)

Buffalo sweethearts Lemuria surprised us this month by concomitantly launching its own record label with its first album in four years. This one sets itself apart by focusing on self-improving and finding your niche, yet still offers the familiar and sometimes-dissonant trading-off of tremendous vocals between singer Sheena Ozzella and drummer Alex Kerns. On this release, the trio worked with Chris Shaw (Weezer, Bob Dylan, Wilco) and recorded with J. Robbins (Jawbox), and the quality shows. Recreational Hate is equal parts evocative, sweet, sentimental and warm. The only thing more interesting than Max, Kerns and Ozzella's musicianship is the sum of its parts.

THE LILLINGTONS - STELLA SAPIENTE (FAT WRECK)

The Lillingtons is by far the longest-running band on this list. Much like Lemuria, the band recorded this new album mostly in secret, minimally hinting on social media. This album marked the band's reinvention from sci-fi-themed pogo-punk to occult-themed post punk, sprinkled with heavy metal riffs. The band still doesn't stray too far from its roots, however. On the band's first new album in 11 years, they've solidified themselves into a darker disposition. They've evolved to be more complex songwriters and the average song length has stretched out from albums prior. The Lillingtons continue to cultivate wonder through mystery by way of secret societies and the haunting unknown.

MEAT WAVE - THE INCESSANT (SIDEONEDUMMY)

Meat Wave lays it on thick from start to finish on The Incessant. Singer/guitarist Chris Sutter's frenetic energy and unsettled angst is in full bloom. The album builds upon itself, and there is a driving sense of urgency throughout, cultivated by Steve Albini (Nirvana, The Pixies), who recorded and engineered the album, lending to its hilly soundscape. Yet, the album remains ambiguous, contributing largely to its mystery. The Incessant is continuously breaking out of itself, with buildups and breakdowns; polishing its anxiety and dissonance as it goes on. The album is dark and at times abrasive, but its song's vulnerable themes crescendo into catharsis that is an uncomfortably comforting release.

THE OBLEEKS - THE OBLEEKS (GOOD LAND)

This modern classic was one of the most-anticipated and still-underrated on this list. All three musicians in this power-pop trio hail from Chicago, and all three contribute in songwriting duties. With song structures reminiscent of Alex Chilton, The Obleeks can harmonize like a three-piece Beach Boys and write as well as tried-and-true pop groups like Teenage Fanclub. Recorded by Amos Pitsch at Crutch of Memory, this album also features some of the Crutch crew: Pitsch on percussion, Blair on viola and Colin Wilde (Black Thumb) on backing vocals. Brothers Andy and Lee Ketch (frontman of Mooner) lock in with each other and bassist Nick Harris to deliver flawless melodies and smooth arrangements.

OLD WIVES - THREE (LITTLE ROCKET)

The Old Wives have been working on this album since 2015, signed to Little Rocket Records in 2016 and this year, Three saw its much-anticipated release. Sharing a drummer with Teenage Bottlerocket, Old Wives delivers pop punk akin to Capitalist Kids and The Lillingtons' older material. The first song, just over one minute long, has three key changes in it, starting the album off strong and interesting. Many of the band's previous themes ring true on this one; drinking, heartache and loneliness. Three is also Old Wives' first release as a three-piece; its first since 2013 EP, Here We Go Again.


RATBOYS - GN (TOPSHELF)

Chicago's Ratboys delivers its second album on Topshelf Records. It's equal parts witty and rough around the edges. Vocalist/guitarist Julia Steiner aches when she croons over her dead cat in the freezer, Elvis, which has the perfect amount of humor to offset the sadness of the situation. She makes it so easy to empathize and visualize scenarios with her inflections that I feel like I know what it's like to be heartbroken in the middle of an ice rink without having ever been there. The album is inventive, tender and soft but underlying the slacker-y nostalgic feel is a poignant attention to detail and quality. This album doesn't stray too far off the tracks and raises the bar for Ratboys quite high.

SINCERE ENGINEER - RHOMBITHIAN (RED SCARE)

Deanna Belos is a close friend whom I've shared the stage with many times, both solo and full-band. Since 2014, I've been regularly attending her shows, watching her grow as a musician, a writer and most recently, a frontwoman to her own quartet. On her debut album via Red Scare, Belos is raw, angsty and honest. On the surface, her nervousness and vulnerability is blinding and it is endearing because underneath, she's tough and holds her own with conviction. There isn't a weak song on the entire record and she literally invented a word for the title, making it even more hers. She is a Rhombithian - someone who frequents three points in the Chicago locale, with the fourth point being Lake Michigan.

YOUR PEST BAND - OLD SPRINGHEAD (DEAD BROKE/BRASSNECK/SNUFFY SMILES)

Your Pest Band is one of the most wild Japanese garage-punk bands. They have an energy that ebbs and flows on this 17-song double album, co-released by three different labels on three different continents. I watched them play in a Chicago basement on this tour, and they never let up. They bring the urgent energy of the Marked Men and the chainsaw down-stroking of Johnny Ramone to deliver this eclectic album which is at times catchy power pop, classic punk a la Husker Du and rock 'n' roll by way of The Zombies and The Kinks. Your Pest Band continues to be one of the most prolific and eclectic Japanese punk bands out there. Watch a live set by them from a basement in Chicago.

The Old Wives - "See You In Hell" review:

Rating: 4/5

25 minutes is about the length of your standard TV show. It's not a lot of time, but it's just enough to tell a good story. If a record could be the analogy to that, this one is. 25 minutes is just enough time for a great pop punk album. Alberta, Canada's Old Wives utilized that amount of time for its debut album, "See You In Hell" earlier this year. The band previously self-released a 7'' featuring "Shut Up" (which appears on the album) and b-side, "Losing All Control."

At the album's start, you're immersed up to your eyeballs in a very Queers-style fast, oddly-timed intro where everything sounds like it's already been going for about 10 seconds. After 10 seconds of rocking, lead singer/guitarist Liam Copeland starts "I Don't Wanna Be Lazy," a very Ramones-influenced tune with a little more pop thrown in there and a catchy little solo. The fourth track, "Teen Commandments," was featured on a soundtrack to a movie. I should know what movie. But I don't. And I can't find it online. Liam will tell me later.
"Old & Moldy" rests in the middle of the album and features a sweet guitar solo by Phillip Hill of the Teen Idols, who also recorded this album at Sonic Iguana Studios in Lafayette, IN. Copeland's vocals emulate Ben Weasel's in the sense that they're gritty, snotty and a little bit preachy at times but the album is a straight-up good time. The songs are pure rock n' roll, with none exceeding 3 minutes and they're all upbeat and fast, with no breaks in the album.

Check out the Old Wives at this year's Insubordination Fest in Baltimore, MD on June 2. They'll be playing the second "Canada" stage from 6 to 6:20 p.m.

TOP TRACK: "Bullshit"

TEEN IDOLS: Back in 2009

(Phillip Hill/left, Jason Fanboy Duarte/middle, Pete Mittler/right)

By Jason Duarte

Growing up as a punk rocker in Tennessee or "redneck central," as Hill explains, was tough - the bullet scar on his leg proves that.
"You'd have about 30-50 people at each show. Once Green Day hit, it got bigger. The biggest we ever had was about 700 people for a Teen Idols show. The last few shows I saw in Nashville were pretty small. Even the bigger bands only have maybe 200 people show up. We haven't played there since I think 2002, but it was packed back then - it sold out," Hill said.
But since he left Tennessee in 2001, Hill has been working as an engineer at Sonic Iguana Studios in Lafayette, Indiana . He moved to Chicago in 2003.

One thing's for sure though - the Teen Idols' new album will be out in 2010. The Teen Idols haven't released an album since 2003's "Nothing To Prove" on Fueled By Ramen Records.
"We're thinking about recording around Christmas time, maybe a little after," Hill said.
The new album will be recorded at Sonic Iguana. The current band he's producing in the studio is the Old Wives from Alberta, Canada.

The Teen Idols' upcoming album has yet to get a title, or songs, for that matter.
"Usually, that's the last thing that happens," Hill said. "I think that when we did 'Pucker Up,' we were just calling it 'The Second Album' until we decided to call it 'Pucker Up' because that's the song that stuck out. And our third album - that title's just a joke. It's a play on the movie, 'Full Metal Jacket.' It was supposed to be funny but people took it the wrong way and said, 'Oh, they think they're so cool with their leather jackets,'" Hill said with a laugh.

The band broke up in 2003 after an argument between the band members. "My hollow body guitar got smashed," Hill reflected of the 2003 fight. "I had gotten in an argument with Heather, she pushed me into a drum kit with my guitar and the neck split down to the seventh fret. It sat in its case for five years. Then, a guy I know who used to play rhythm guitar for The Queers said 'I'd like to try and fix it,' so I sent it to him. He brought it to one of the shows and it was like brand new. He used glue, clamps, epoxy...but there were still battle scars. Two days after the fight, I took a Greyhound bus from California to Chicago. I thought a lot and wrote a long e-mail basically saying how things had gotten fucked up. So I made sort of my 'manifesto' - like 'this is the way it should be run' kinda thing. Everyone was still too upset over the argument and weren't willing to talk about playing together at that time."

Predating that, Hill and Keith Witt didn't speak since late 2000, when Witt was fired after their last tour of Japan.
"Keith kind of became our arch-enemy. There were lots of hard feelings," Hill said. "He moved to Chicago, and I had already been living here. He got a hold of my number somehow, called me and told me he was living here now. We patched things up and we're good friends again. He actually got married last year to a girl from Tennessee and I was the best man at his wedding. So the old wounds have healed." Hill said.

In the past year, Hill has tried to get the original Teen Idols members back together to record and play. Drummer Matt Drastic was originally interested, but his busy schedule wouldn't allow him to commit to the band. Heather was also approached to fill her old position as the band's bassist, but she declined.

Since 1992, the band's been through its problems, trials and tribulations.
"There have been about 13 different band members since we started", Hill said.
But the Teen Idols are back in 2009 with Phillip Hill on guitar, Yvonne Szumski of The Scissors on bass, Keith Witt back on vocals and Nathan Bice of Even In Blackouts/Deadly Sins on drums. Catch the Teen Idols for Riot Fest Saturday at the Metro in Chicago with Anxiety High, Teenage Bottlerocket and the Dead Milkmen.

TOP RELEASES OF 2013

Greetings and welcome to Squid Pro Quo's sixth annual BEST OF list. 2013 saw a lot of great releases. We've chosen the 10 best full-lengths, 10 best 7''s/EPs/compilations and 10 best splits of the year. Love it, love to hate it or check it out if you don't know it.

The Top 10 Albums of 2013
By Jason Duarte

10. Swearin' - Surfing Strange (Salinas)

Swearin' impressed me last year with their self-titled debut release. This year, they released a second record, also on Salinas Records. I like their first album a lot, but this one has some jams and is a little less "punk" and a little more their of own sound. This album is so riddled with catchy melodies and pieces, it's hard to stop coming back to it. It's good to rock to. It's good to chill to. It's just a great taste of an eclectic group of musicians. Seeing them live was incredible. The new album had barely been released, and everyone knew the words. Keep your eyes on Swearin' if you haven't been.


9. Laura Stevenson - Wheel (Don Giovanni)

Laura Stevenson has a unique way of getting your mind and heart's attention. Her lyrics and inflection are unrivaled. Laura can sing about taking out the garbage, and somehow make it into a beautifully heartfelt experience. She doesn't sing about taking out garbage. She sings about life, death and the trials and tribulations therein. She hits you with her wild and raw emotions in a way that stuns at first, but then it's welcomed. I am proud to say I own everything she's released as Laura Stevenson & the Cans, and more recently, just as Laura Stevenson. She's growing further from her punk roots and more into the pop folk/Americana genre, and it's incredible. She sings and you really listen.

8. Night Birds - Born To Die In Suburbia (Grave Mistake)


Night Birds are my favorite current hardcore band. Like, hands down. It doesn't get better than them. This is their first release since founding guitarist Mike Hunchback left, so being I've been following this band since buying their demo and seeing one of their first shows and every one I could since, I was super excited to hear change in sound. Mike Hunchback is an intense, powerful dude. His licks are just insane. The way he plays, crawling on his knees, almost abusing himself and his guitar while hitting every note is still unmatched, but PJ is amazing in a different way. This album's not as dark as The Other Side of Darkness or the Fresh Kill Vol. 1 collection, but it's so so good.

7. RVIVR - The Beauty Between (Rumbletowne)

The Beauty Between is RVIVR's strongest release to date. So catchy. So powerful. So much angst and momentum drives this record - it's impossible to stop once you start it. This band has never let me down, and just gets better. I like the album art, too. A lot of people collect records just for sound but right up there with it for me is the large art, and getting to examine it, turn it over in my hands...I look at my record jackets as limited prints from the artist who created them, not just houses for records. I'm just saying the art rules.



6. Lemuria - The Distance Is So Big (Bridge 9)

Lemuria is a band I've been a fan of since I first saw them open for The Queers back in 2008 at Reggie's in Chicago. Their signing to Bridge 9 earlier this year was a surprise, but it fits. They released a single for "Brilliant Dancer" before the full length came out and it was good. This album is so solid and their live performance is one of the tightest-sounding I've ever witnessed/heard.





5. Sundowner - Neon Fiction (Fat Wreck)

Chris McCaughan and Neil Hennessy of the Lawrence Arms cannot disappoint. Chris's voice has gotten a lot smoother and on key. Sundowner keeps getting better. The songs are not just him and an acoustic guitar, as they were in the past. The album is phenomenal. I'm from Chicago as well and hearing Chris sing songs about the city as his own and his connections to it strike a personal note, as I've got my own history and love/hate relationship with it. The album art is amazing too. Earlier this year, I was on tour and we were in San Francisco coincidentally on the day they opened the Fat Wreck store and there was Chris, singing a solo set. It was great to see him, hang out a bit and pick up a couple of records. I wish him the best in Portland and can't wait to see him in Chicago again. His melodies and lyrics have a lingering effect. I highly recommend it.

4. Lipstick Homicide - Out Utero (Bloated Kat)

The pop punk gods convened and willed three mortals from Iowa into making one of the best pop punk albums of the year. The title, an obvious play on Nirvana's In Utero, is an attention-grabber. The album is awesome from start to finish, and features a song called "Vampire Club Pt. 2," a sequel to "Vampire Club," off LipHo's Brainhole EP. This album is so strong. I was lucky enough to play three shows with these dudes this autumn between California and Iowa, and their live performances are nothing short of amazing, either. Rachel Feldmann sings and plays bass like an unstoppable force. Kate Kane plays guitar and sings like a wild woman and Luke Ferguson plays drums with precision and finesse. I can't wait to see these dudes again.

3. Iron Chic - The Constant One  (Bridge 9)

When Not Like This came out in 2010, it was my #1 of that year. It was a lot of peoples' #1. They took the pop punk world by storm, and signed to a hardcore label just before releasing The Constant One. The band has done a lot of touring and released a few EPs/splits/singles between these two full-lengths and everything I've read or heard has been positive feedback. This album had massive shoes to fill, and it did it. It features a song off one of their EPs, "Spooky Action From a Distance," and the rest is new. Like labelmates, Lemuria, they have an instrumental intro track. My favorite track is "(Castle) Numbskull." This release solidified this band, and now I believe that they can do no wrong. Thanks for keeping things in perspective and shining a light on the dark or scary things every once in a while.

2. Great Apes - Thread (Asian Man)

 Great Apes is hands-down my favorite Brian Moss band to date. I like The Ghost, Hanalei and Olehole was great. But Great Apes is perfect mix of his intellectually insightful lyrics paired with punk rock. This is actually pretty pop punk, despite the gruff air that surrounds it. "San Quentin" sounds like it was an Olehole song. Not a bad thing. Songs about feelings and life are sung loud and clear on this. Thread, for me, was the much-needed follow-up to the split 7''s and singles Great Apes had released in the year prior. This album struck a chord with me, and is amazing from start to finish. Check out a review I did for Jaded In Chicago of their self-titled 7'' here.

1. Plow United - Marching Band (Jump Start)

Plow United is a punk band that started in 1992 and broke up in 1997 at the pinnacle of its popularity. I'd never heard of them because they disbanded before I started going to shows and they were still too obscure to have ever come across my radar. Then in 2012, they recorded new material, releasing two songs on a 7'' via Kiss of Death Records and THIS MASTERPIECE on Jump Start Records this year. Being on the constant lookout for new music, that 7'' busted my Plow United cherry and then this album came out and made me realize that you can walk away from music for 15 years and then come back and kick more ass than ever before. Then I saw them at Pouzza Fest in May and rarely do I watch a band and just zone out on their drummer. Sean Rule is an animal, and his chemistry with Joel and Brian is just perfect. I can't wait to hear/see more by Plow United.


The Top 10 7''s/EPs/collections of 2013


10. Your Pest Band - Smash Hits! (2008-2011) (Dead Broke)

This 26-track collection of songs from singles is some of the best, fastest and intense punk out there today. This four-piece from Japan rips. I was lucky enough to catch them in Brooklyn last February. There are NOFX and Carpenters covers on this thing. They aren't rewriting the punk genre, but they're really fun.







9. The Replacements - Songs For Slim 12'' (New West)

Hearing that The Replacements were to release a commercially-affordable version of their Songs For Slim EP thrilled me and I bought it the second I saw it. Then hearing that they were going to reunite and play my city in September made me jump with glee. I got to see them. It was incredible. This EP is also incredible. Slim Dunlap was The Replacements' replacement guitar player for Bob Stinson in 1987. He also released two solo albums in the '90s. In February 2012, he suffered from a stroke. The proceeds from all these album sales go toward his hospital bills. Side A features two songs written by Slim Dunlap. Side B features three covers: "I'm Not Saying" by Gordon Lightfoot, "Lost Highway" by Leon Payne and "Everything's Coming Up Roses" by Stephen Sondheim/Jule Styne.

8. Skinny Genes - Meh 7'' (Bloated Kat)

Skinny Genes aka Azeem Sajid aka ACE OF BASS from The Steinways/House Boat Mikey Erg-ed on us this year. And it rules, just like Mikey's solo stuff. His throat is coated in golden PBR. The themes are the same. Pretty bleak, rough stuff here. I'm waiting to hear an Ace song that's like, "hey, my life's good now." But then it'd also probably suck cause that's obviously not the catalyst to his creativity. I love this man. I got to play the last two Steinways shows with them in September out in California and that made my life. I always want to give Ace a hug. His music will make you want to give him a hug. Just listen to it and then look at that face of his. It's like he wants to be adopted and hugged all day. Buy this 7'' and adopt your own Azeem Frehley.

7. Night Birds - Maimed For the Masses 7'' (Fat Wreck)

I think this is the first release with PJ on guitar, post-Mike Hunchback. Hearing that Fat Wreck was going to release a Night Birds single got me giddy. It also made me like Fat Wreck more. The title track (and album art) is about former wrestler Mick Foley. The injuries list on that man will send shivers down your spine. There are four tracks total on this one. Only the title track appears on Born To Die In Suburbia. The other three are exclusive to this EP. A limited 70-gram version was released by Fat on black vinyl with the regular EP.



6. The Songs of Tony Sly: A Tribute 12'' (Fat Wreck)

Tony Sly's death last year was a shock to us all. Such a profoundly talented singer and songwriter. I remember my first time seeing No Use For A Name was in 2002 when I was a sophomore in high school and absolutely loving every second of it. Life is not always fair, but all the artists on this tribute album did him and his songs beautiful homage. He'll live forever as long as there are his recordings and a medium to play them. RIP, Tony. You're missed and loved, and this album is nice proof.




5. Our Lips Are Sealed: A Tribute To the Go-Gos 12'' (Solidarity)

I was never a huge Go-Gos fan, but they're one of those bands where I still somehow knew their songs. After buying this, then going back to really listen to the Go-Gos, it made me a fan. A lot of my favorite current bands are on here. My favorite covers are by Dan Vapid & the Cheats, Masked Intruder, Great Apes and Vacation Bible School.






4. All Dogs - All Dogs 7'' (Salinas)

This is the freshest band to my ears on this entire list. All Dogs comes from Ohio and writes some amazing tunes. They remind me of The Muffs crossed with Lemuria crossed with Brick Mower. The set of pipes on the singer are amazing. I love this 7'' and you should check out this band.







3. Technicolor Teeth - Blood Pool b/w Drips 7'' (Accidental Guest)

Technicolor Teeth is a band from Wisconsin that features Amos from the aforementioned Tenement among its lineup. This band grew on me this year, and for a long time, was the only thing I listened to. They take shoegaze, make it darker and experiment with sound. This band would be written off as "weird" but your typical punk rocker, but I urge anyone reading this to really listen to them. Listen to the music. It'll pull you in too.




2. Tenement - Sick Club Vol. 3 7'' (Cowabunga)

These guys are one of my favorite bands. I consider myself lucky that I not only get to hear the musical stylings of Amos Pitsch, Jesse Ponkamo and Eric Meyer, but get to see this band live. Amos is a musical genius and if you don't believe me, you're wrong. I don't know how to properly explain it, because my name's not Pitchfork, but Tenement's songs are infectiously good and well-put-together. Jesse wrote "Freak Cast In Iron" on this one. Grab this single if you can.




1. Supercrush - Lifted b/w Melt Into You (Drift Away) 7'' (Bedside)

Supercrush is a new band out of Vancouver. This 7'' has been on repeat since I discovered it. It's insanely well put-together and takes the very best elements of grunge, shoegaze, rock and a little punk and creates something perfect. Check out a review I did of the single here.









The Top 10 Splits of 2013


10. Mean Jeans / Underground Railroad To Candyland 7'' (It's Alive)

Two of my favorite bands that I would not have expected to collaborate totally did on this. The Mean Jeans songs are party punk staples. They're really good, raw, fast, full of energy and fueled by booze. The URTC songs are good low-fi, garage-y ones. This record is a party on the Mean Jeans side and chillin' the morning after on the URTC side.






9. Mikey Erg / Barrakuda McMurder 3.5'' floppy (Bloated Kat)

This shit is so rare, it's just plain dumb. 13 floppy discs were made with the songs on them as MP3s. How the hell someone even has a floppy drive anymore is beyond me, but hey, points for creativity and obscurity. Oh, and they were only sold in Japan. So I don't have one, but I do have the MP3s, and they're really good. Mikey Erg's was made with his phone and Grath's was probably made with GarageBand or something. The songs are great. I'm hoping Mikey does a solo full-length or something of the like. Grath's song is like an acoustic Steinways song with an electric guitar dubbed over it in a part. It's funny, but it makes you feel bad. Buy it on Bandcamp and support these guys.

8. Vacation Bible School / The Brokedowns 7'' (It's Alive)

Two of my favorite local-turned-global-ish bands FINALLY have a split together. So appropriate. I think it rules that a label in California put out a split by two bands from Elgin, IL, a place I called home for a couple of years. VBS offers up some fast, heavy, gritty pop punk. Catchy and aggressive. The Brokedowns have done a lot of splits, and their creepy, heavy sound is big on this one. They have pop punk choruses with deep, gruff vocals and sometimes border hardcore. This is a heavy-hitter. Lots of low end on the bass. Lots of emotion. I don't really understand the cover art, but I like it. It's a little deceiving but it works.


7. The Capitalist Kids / Tight Bros 7'' (Toxic Pop)

The Capitalist Kids are from Austin and released an album last year titled "Lessons On Love, Sharing and Hygeine" that reinstilled my faith in good pop punk. This split is pretty straight-up pop punk, with short songs all around. The Capitalist Kids cover "Claustrophobia" by the Bee Gees and it's AWESOME. Seriously. Didn't anticipate that coming. Tight Bros from Ohio offer up three originals. They have a little Mean Jeans likeness to them, and a little Be My Doppelganger in there. They're good pop punk. I was lucky enough to play with both these bands this past autumn in Austin and in L.A. They rip live. Especially the Cap Kids. I want to see them again so bad.


6. Lipstick Homicide / The Turkletons - We're Gonna Need a Bigger Coat 7'' (It's Alive)

Pop punk gold. Lipstick Homicide and The Turkletons compliment each other so well on this. Their songs are shorts and packed full of fun, catchy hooks. I love the title's play on Jaws. I love this split.









5. Brick Mower / Black Wine 7'' (Viking On Campus)

Two of my favorite New Jersey bands ever collaborate on this very appropriate split 7''. They were tour buddies on more than one occasion (one of the best tours I've ever seen), and they fit so well together musically. Each band on this offers an original and a cover. Brick Mower covers "Jim Motherfucker" by Gaunt. Black Wine covers "Freedom of Choice" by Devo, which was a staple in their live sets for a little while. They do an awesome version. The originals are the highlights. I love these bands, and all of the people in them. They fit so well with each other, I want to hear more new stuff.


4. Masked Intruder / Dan Vapid & the Cheats The Wedding 7'' (Solidarity)

Two of the best pop punk bands out there today. Veterans Dan Vapid & the Cheats, and newer-ish band, Masked Intruder. They collaborated on this 7'' commemorating Solidarity Records owner Randy and his wife, Valerie's marriage. The Masked Intruder song is beautifully done. The intro sounds like an intro to an '80s ballad. Their tune is called "Valerie Is Getting Married." It's pretty funny, since it's about him being sad that Valerie is marrying someone that isn't him. Poor blue. The Cheats' song is called "Randy Is Getting Married." It's so catchy and happy. This split is loaded with positive vibes, and I love it.


3. All Dogs / Slouch tape (Discount Horse)

All Dogs and Slouch are two bands from Ohio. Slouch is a cool, dreamy Dinosaur Jr.-esque band minus all the crazy J. Mascis leads. All Dogs is awesome garage pop punk. They cover The Muffs tune, "Every Single Thing." All Dogs so does it for me. I want them to make a full-length record really bad. Their four-track self-titled EP that came out on Salinas Records this year made it to #4 on my Top 10 7''s/EPs/collections list. Check these bands out.



2. Tenement / Screaming Females 7'' (Recess)

Tenement and the Screaming Females recently went on tour together as part of the Don Giovanni Records tour. I consider this split Tenement's big, deserved break. Screaming Females has a crazy loyal and huge fan base, and their track is amazing. There isn't an insane amount of screaming or shredding on it, but it's a solid jam. Tenement's song, to me, steals the show. I'm biased. Deal with it. They have such an unconventional, unique way of making pop. It's completely their own. This split is some of the best of what two amazing bands have to offer. Not just some mashed-up B-sides single of each band's. Do yourself a favor and get this.

1. The Old Wives / The Blendours 12'' (Eccentric Pop)

The Old Wives from Edmonton are one of my favorite pop punk bands. I was lucky to see them in May at Pouzza Fest in Montreal, and see some of the new songs played live. This split is the third release on a great new-ish label called Eccentric Pop Records, based out of South Carolina. I can't get over how catchy this split is. The Old Wives kill it on their side and The Blendours from Iowa on the other side are also amazing. I love how funny but good they are. They remind me of The Steinways. This split is all around fun. Just get it.

Top 10 of 2010

This year has produced a lot of bullshit. An earthquake in Haiti killed 230,000 people. Monsoons left 20% of Pakistan under water. An Antarctic collision between an iceberg and a glacier gouged out a chunk of sea ice the size of Luxembourg. An Icelandic volcano pissed off a shitload of Europeans. Winter was so warm that Canadians couldn't even make fake snow for their Olympics. Man just made things worse - between the BP oil leak and this country's lawmakers not being able to balance a fucking checkbook, it's been a stressful year being an American (that's why I rid myself of all nationalism - I don't have to feel guilty when shit like this happens, it's great). But you know what, despite all that, at least some great records came out in 2010. Here's the Squid Pro Quo "Top 10 of 2010."


1. Iron Chic - Not Like This


2. The Dopamines - Expect the Worst


3. Sundowner - We Chase The Waves


4. The Brokedowns - Species Bender


5. The Riverdales - Tarantula


6. Alkaline Trio - This Addiction


7. The Methadones - S/T


8. Old Wives - See You In Hell


9. Off With Their Heads - In Desolation


10. The Queers - Back To the Basement


If Deep Sleep's new album were officially released, it would have made this list.