Off With Their Heads - "From the Bottom" review

Minneapolis, MN has always been in the top ranks with me as far as music goes. I mean, they've given us Dillinger Four, Rivethead and Prince. What more could one ask for?
A couple years ago, this band, Off With Their Heads, opened for the Methadones at the Beat Kitchen. I thought they sounded like one of those hardcore bands. You know, "RAH RAH RAH I'M TOUGH NOW CLAP YOUR HANDS!!!"
There's this other band I love called Dear Landlord. So I picked up a split 7'' featuring them with Dear Landlord.
It was then that I became interested in what they had to offer, so I purchased Off With Their Heads' new album, "From the Bottom," which came out on August 12.

They weren't quite pop punk or punk rock. But at the same time, they didn't strike me as that hardcore band I thought they previously were either. They're just Off With Their Heads from Minneapolis.
What struck me about them first was their lyrics.
The desperation, heartache and sincerity really got me. I mean, on one hand, part of me wanted to say, "Jesus, stop whining about being hopeless and sad and helpless." But on the other hand, I can relate. And when I relate to a song, I like the band. And when I like a band, I review their newest album.
When I listen to Off With Their Heads' new album, "From the Bottom," I get a series of mixed feelings. I can't stop listening to that album, but at the same time, a little part of me still feels as if the lead singer is just totally helpless and/or depressed, scraping for some kind of truth or comfort.
The first song, "I Am You," starts out with:
"If you really want some answered questions
If you really wanna know just what its like
If you want to dig inside my head, pull up a chair, you got all night
I'll tell you why I fucking hate my life
I'll tell you why I can't seem to get it right
I'll tell you why I entertain the thought of dying all the time."

It's a bit depressing, yes, but at the same time, lead singer Ryan Young says there's a little bit of him in everyone. I can't deny it.
While I have yet to find a similarity between the band's name and Alice in Wonderland, I did find something interesting on its MySpace site.
I was fooled into thinking the band had a separate Web site than its MySpace site, but it just led me here. The link name didn't lie! That gives us a little bit more information about Off With Their Heads and their personal beliefs. An interestingly humorous Web site by the way, check it out.

"For the Four" is another song worthy of notice among the rest. This one was featured on their split 7'' with Four Letter Word. I think the story behind this 7'' is the two bands were driving down to Gainesville or back and they released a split titled "One For the Road."
It's a song about hope, but it leans a little towards the pessimistic stance.
"Let’s put the petty shit all behind
Remember when we used to laugh all the time
It makes me wonder why we bend over backwards
Scraping up nickels and dimes
What can end the constant struggle
Is there a light at the end of the tunnel anyway"
I automatically assume that Francis sings about a rocky relationship, which I think we all can relate to, male or female.
He's got the right attitude, and I agree with him when he desperately says:
"Let's put all the petty shit behind."
Two individuals in love, or even so-called love, should be able to work past petty differences and have fun without getting snagged on one of the barbs of insecurity, jealousy or whatever he may be particularly singing about in this song.

Finally, the album ends with "I Hope You Know," a song slightly different than all preceding ones.
"I hope you know wherever you are
I'm sorry I wasn't there from the bottom of my heart
I'm sorry that when you would call, I'd shut my ringer off
And I'm sorry I erased the mail you'd send to patch things up
But there's one fault of mine that I won't soon forget
And that was never being there when you were on the bed
I got the news in California sick with what you had
I was laid up in the hospital with pneumonia in my chest
I felt the pain that you had felt every day of your life
I regret all my selfishness..."
It's a truly heartfelt tune and while sang in the same voice and with the same fast, driving instrumentals, it's distinctively slower and more intimate than all the preceding songs, which tend to be faster and carry more of an attitude of selfishness rather than regretfulness and sincerity. "From the Bottom" has quickly made its way to the top of the ranks. For fans of Dillinger Four and The Arrivals.

Q&A with Ryan Young of OFF WITH THEIR HEADS

While Ryan was in the studio recording Off With Their Heads' next record, he took some time to chat with me about the new record coming out on Epitaph Records as well as a bunch of random shit.

Squid Pro Quo: I listened to "Listerine" today (via www.myspace.com/ryanyoungowth). I dig that. That's going to be an OWTH tune?

Ryan Young: Yeah. In the studio now.

SPQ: Now that you guys are on a bigger label, how's the sound? Kinda keeping that momentum with "From The Bottom"?

Ryan: It will be a little better than that. We have two weeks in a crazy good studio as opposed to three days in a shithole, so we have time to make it rule.

SPQ: About how many songs are you guys lookin' at having on there?

Ryan: We are recording 15, but I dont think they will all go on there.

SPQ: Cool man. Do you guys have a name for the album yet?

Ryan: Not yet. We usually take the album name off some lyrics from the last song. Haven't gotten that far yet.

SPQ: Oh, neat. Where are you guys recording it?

Ryan: We are recording at The Terrarium. Dillinger 4 and Banner Pilot did records here.

SPQ: That last Banner Pilot album sounds phenomenal. Especially compared to Resignation Day.

Ryan: Yeah it does. This one will be even better because those dudes are mastering it at some crazy expensive place.

SPQ: Shit yeah. So what next? Awesome tours? I know you guys toured with Against Me! semi-recently. More stuff like that?

Ryan: Nothing much planned yet. Just that couple months touring starting in February.

SPQ: Headlining that, right?

Ryan: Except for the dates with The Queers.

SPQ: Oh, no way. Are you guys coming through Chicago with The Queers?

Ryan: Nope. Its mostly canada

SPQ: Word. So how did this thing with Epitaph end up? Did they just randomly discover you or how did that work?

Ryan: Brett (Gurewitz) called me last year and said he was a fan. We chatted for a while, went and had pizza at his house when we were on tour, visited the office and he basically gave us a really good offer that we would have been dumb to turn down, especially with the decline of record sales.

SPQ: Awesome. So how come it's not "official" yet. Just needs to be announced kinda thing?

Ryan: Yeah, they wait for the right time or something.

SPQ: So here's a cliche question for ya: where do you guys get influence from? Most songs seem like just personal events/situations. Still doing that?

Ryan: Yeah. It's all the same.

SPQ: So what's the lineup for the recording? And will it stay the same for the touring?

Ryan: It's Justin, Zack, Nate (Gangelhoff) and I and no, it changes for touring.

SPQ: With so much time on the road, how do you find the time to write?

Ryan: I write about as much as I did before we toured all the time. It either comes to me or it doesn't and when it does, it happens fast.

SPQ: Just those random cosmic waves of inspiration, eh?

Ryan: I guess so. Probably just the weed though.

SPQ: I had to take a hair test for my job now. It's retarded how some employers are.

Ryan: I think I would be unqualified to work any kind of job. I'd ruin the drug test lab.

SPQ: What's been your biggest obstacle over the years?

Ryan: Probably coming to terms with the fact that this is just what I do and I'm not really good at anything else. I always kinda wonder what I would be doing if it weren't this, and it's always something much less meaningful or completely worthless. At least I'm doing something that most people won't get a chance to.

SPQ: Realistically, what do you think you'd be doing if it weren't for playing music? Or even not-so-realistically. Hell, what did you want to be when you were a kid?

Ryan: I've always wanted to do this, so I guess I win. It isn't nearly as glamorous as it might seem, especially with the record sales being way down. If we were doing this 10 years ago, I would probably be pretty well-off. If I weren't doing this, I'd be painting houses.

SPQ: Probably better money in painting houses, haha. But also probably not as gratifying since you've always wanted to play music. Gotta live your heart. That's good! Man, playing music 10 years ago would be cool. Just when the illegal downloading of music was in its infant stages...

Ryan: Yeah. I would actually make more money delivering pizzas two days a month than being in this band. We have been touring for six years. I didn't start getting paid anything until last year.

SPQ: So all the show money just went to food and gas?

Ryan: Yeah, and that didn't cover it. We are still out years of paying for all that stuff. Even with From The Bottom selling around 10,000 (copies).

SPQ: So you've really gotta "make it" in order to actually MAKE anything these days.

Ryan: Pretty much

SPQ: Well, hopefully with Epitaph, you guys take off. I know they push the hell out of their catalog with street teams and a wider distro and all that.

Ryan: Yeah, we'll see. I'm not sure if the masses are ready for this kind of music. Especially the masses that Epitaph deals with. It's clearly different than that other silly stuff they put out over the last while.

SPQ: Not the ol' California Warped Tour garbage, eh? That's comforting. Well, hey man. Maybe it'll be a tide of change and you guys will pioneer it.

Ryan: That's what I'm hoping for.

SPQ: Aside from Epitaph, what's been the best part of fronting OWTH over the years?

Ryan: I'd say getting to meet all of my "idols". That's pretty awesome.

SPQ: Best show ever?

Ryan: The Fest shows the last couple years were rad.

SPQ: I saw the video of you and Paddy where you burned the money, haha. That shit was hilarious.

Ryan: We are dumb together

SPQ: Hahaha. Committing crimes on camera. Tsk tsk. Do you have any pet peeves? Or anything while touring that you don't like?

Ryan: TONS of shit. You just get overly sensitive about little things when you spend too much time with anyone. Once you realize that, you see that it's not a big deal.

SPQ: Kind of like any relationship, I guess?

Ryan: Totally

SPQ: Speaking of, you guys have women? How does that work with you all being so busy on the road? Is it just different chicks every night? Banging in all 50 states-style?

Ryan: Hahaha. I have a girlfriend. Same one for over the last year and a half.
It's fine. I don't really like hooking up with random girls. They usually suck.

SPQ: That's the best part! I guess only when it's with their mouths. What are some of your favorite bands "today"?

Ryan: I don't really like much current music. I like gangsta rap because it's funny. I like pop music for the same reasons. Lady Gaga rules.

Best Releases Of 2008

Teenage Bottlerocket - "Warning Device"

I was so into "Total" from the time I got that album, that the three years (give or take) in between that and "Warning Device," were torture. Talk about wearing down an album. Those guys released it at the perfect time. Colored vinyl would have been cool though. I dig the gatefold LP and I can't wait to hear more by them soon.

Shot Baker - "Take Control"

I like to think of Shot Baker as Chicago's best kept secret. These guys blend old school Chicago punk and hardcore perfectly on their new album, "Take Control." Their music is introspective, raw and genuine and something anybody with any sort of internal struggle can empathize with.

The Ergs! - "Hindsight is 20/20, My Friend"

Yeah, I know it's a collection, but it's a fucking good collection of awesome songs. I just wish they didn't break up. The Ergs! are kinda like Tupac. They break up and yet keep on releasing splits and 12''s. If you're reading this, Ergs!, get back together and come to Chicago. And play a show.

The Copyrights - "Learn the Hard Way"

These guys are a truly great pop-punk machine, operating at full throttle, releasing material left and right. "Learn the Hard Way" is 14 songs in about 25 minutes, to give you an idea of it's pace. It's fast-moving, it's fun and its themes jump from girls to I-57, an interstate I'm actually very familiar with, to shit being straight up FUCKED. I can't wait to hear what The Copyrights come up with this year. Aside from the picture discs of "We Didn't Come Here To Die," which I'm excited to check out.

The Copyrights/The Methadones split

Besides the fact that The Copyrights and The Methadones are two of the best pop-punk bands today, they started their own label just for this split. Transparent Records, as Dan Schafer and Adam Fletcher call it, is their label, which is just that...a label of a jellyfish. I think it's brilliant though. Not naming any names here, but who would want to release an album under a shitty label that will take most of your money and not even promote your awesome band? Fuck that horse shit. The Methadones and The Copyrights completely CUT that middleman motherfucker out, and have released an amazing split embodying only the best of today's power pop, punk rock and pop punk sound. Oh yeah, and straight up pop as well. It's goooood. In fact, I think I'll do more than _____ Records ever did for them and post a MySpace bulletin right now promoting this amazing split.

The Steinways - "Gorilla Marketing"

And now for something NOT from Chicago...The Steinways are a pop-punk band, but unlike the cookie-cutter Ramonescore leather jacket crap (which I love, don't get me wrong), The Steinways kind of come off as a bunch of wussies. I mean, they are great, but they don't puff out their chest and sing about how tough they are. Rather, songs about school, weed, girls, unemployment and uh...did I say girls? Girls girls girls hey hey hey girls girls girls. I talked to Ace a while back and promised him I'd review this album, and having just ripped my LP to MP3 a month ago, I will uphold that promise. It's a truly great release by a truly FUN band. Seriously, you'll be singing along and feeling young and infantile again in no time, it's great.

Alkaline Trio - "Agony and Irony"

This one's an oddball. Epic Records, 10 different releases for the album, etc...etc...But Alkaline Trio is STILL my favorite band of all time. There is so much to empathize with in both Matt Skiba and Dan Andriano's vocals, and as overproduced and uh...I don't know "different" as "Crimson" and "Good Mourning" were, "Agony and Irony" really redeems them as the Trio I used to know. They really strip it all down in this record and despite all the special editions, digital only MP3 tracks and bonus 7'' songs, this album really acted as a bellow to my eternal Alkaline Trio flame (not to be misinterpreted as homoerotic love).

Mike Hale - "Broken With No Hope"

Mike Hale is fucking awesome, let me just say that. OK, now that that's out of the way, I want to talk about how amazing his voice is. It's SO amazing (HOW AMAZING IS IT?!) It's so amazing that when he opens his mouth, his guitar wants to play HIM. He's got a soothing voice, a real different sound than heard in his other bands, Gunmoll and In the Red. They're not bad either. But Hale's solo stuff is great. His guitar-playing is intricate and relaxing, a whole different side of him than he shows in his other bands. For fans of Chuck Ragan, Chris Wollard and uh...it doesn't matter, check this guy out.

Kepi the Band/Kepi and Friends - "American Gothic" and "Hanging Out"

This was a fun one. I got the double gatefold vinyl release of these two albums, on green and purple vinyl. Kepi and Friends released "American Gothic," which is acoustic, very mellow and fun, much like an acoustic version of the Ghoulies. Imagine that! There's songs about girls and the like, and he does a really Western take on these tracks. He even covers "Take a Look" from The Methadones' first album, which is really good. "Hanging Out" is by Kepi the Band, an all-electric band sounding even MORE like the Groovie Ghoulies. Wowie zowie, imagine that! These are mostly new songs. A couple of them, "It's You" and "A Kiss For You" were featured on his Valentine's Day card release with a 2-track CD inside. The rest (I think) are all originals - all very good. I especially like "Red Bat." If only bats could be kept as pets...sigh.

The Riverdales - "Phase 3" re-issue

I know this isn't a new album, but I believe it is worthy of mention because of the three unreleased Riverdales tracks, deeming this release (in my mind), worthy of making it to THE LIST. As if the first album re-issued wasn't good enough, now we have Phase 3 (that's right, numerals, not the word three) to listen to, with songs all rearranged out of order with new ones thrown in between. "Countdown" makes for a cool opener. It's not easy to count down from 10 and keep a rhythm at the same time. I tried it on my own, it was weird. Also on this are "Total Blockhead," "You Know You Do" and "Out For Myself." The latter of that list could totally be a Methadones song. Anyways, I look forward to the new Riverdales album in '09 er-this year and can't wait to hear more by 'em. Side note-anyone know where "I Can't Pretend" is from? I have heard that track and like it, but have never seen it on any sort of track listing. Maybe one of their 7''s?

Off With Their Heads - "From the Bottom"

This one is worthy of mention on many levels. It's a hard, gritty tale of life in the dumps and not being able to get straight. The music follows traditional pop-punk chords, but are much harder, with much more gruff vocals. This album paints a picture of desperation, heartache, frustration and sorrow with a hint of hope. Anyone feeling like shit can listen to this, and feel better or at least not so alone. Off With Their Heads are a great band not only on albums, but live as well. I've seen 'em three times and love it more every time. See 'em if they roll through your town and pick this one up, because it's their best release to date.

Shorebirds - "S/T" 7''

Shorebirds was born following the breakups of Jawbreaker and Latterman. While the 7'' was originally pressed in I think, 2007, it was repressed in 2008, deeming it totally worthy of making the list. Four songs about being outcast and upset with the world really are good. Matt C., the lead singer of Latterman sings on this release and Chris B. from Jawbreaker plays bass. Seriously, if you like either of those bands, you will love Shorebirds. They have a full-length release as well, which I have, but have yet to listen to. I'm sure that is great as well.

Chris Wollard and The Ship Thieves - "S/T"

Two hundred LPs were pressed for The Fest 7 this year, and there were a few left over, so I was lucky enough to grab one from No Idea Records. The LP is a rough version of the upcoming full-length by Chris Wollard and The Ship Thieves. I'm not sure who else plays on this, as the record is literally a blank-labeled LP with just a square of cardboard, but it is really good, and I can't wait for the polished-up release. On it are "No Exception" and "Reason In My Rhyme" from the Chris Wollard/Mike Hale split 7''. Eight other songs grace the album, and all of them are acoustic, mellow and just add to my love of everything Hot Water Music.

Chuck Ragan - "Ole Diesel" 7''

Speaking of Hot Water Music, Chuck Ragan released a 7'' in February on Rat Patrol records (UK). Two songs - Ole Diesel, an original Ragan tune about trains illustrates his southern roots with a real folk influence. "The World Turned Upside Down" is a cover Ragan did, originally a Digger's Song from a couple hundred years ago, actually. Billy Bragg did it, and then Ragan covered him. This one's a good release.

Mischief Brew/Joe Jack Talcum - "Photographs From the Shoebox" split

I'm a huge Dead Milkmen fan, so when I saw Joe Jack Talcum (Milkmen's lead singer) release solo stuff, I jumped on that. He re-did "Dean's Dream" with an acoustic and I think steel guitar as well. It sounds really good, and he follows his traditional songwriting techniques of writing songs that are kind of silly and weird, but pull you in till you're in love. The Mischief Brew side was great as well. I always like it when I buy a split for one band and it turns out the other one is great. They are an anarcho-punk band, but not in an Anti-Flag "let's see how many times we can get the crowd to chant 'Fuck Bush'" kind of way. They reminded me of old Against Me! and the World/Inferno Friendship Society. Kinda folk, kinda punk but really great. I swear, I've heard "Gather Ye Acorns" somewhere before, I just can't think of where. Anyway I heard the Dead Milkmen reunited for a show in Texas and plan on touring. I hope this is true and I hope that if it is, they come through Chicago so I can see them. Check out this release if you too have been wondering what Joe Jack Talcum has been up to lately. It's really good. (See: Mischief Brew's "Jobs in Steeltown" 7'' review).

Smoking Popes - "Stay Down"

In June, the Smoking Popes did a show at the Metro for an advanced release of their album, "Stay Down." It was an amazing show, with Neil Hennessy of the Lawrence Arms on drums. Well, the album is great. Not since 1997 have the Popes put out a studio-recorded album of new material (unless you count the Duvall stuff, which I'm not). It sounds like Josh's voice hasn't changed a bit. They picked up right where they left off, Josh found God and yadda yadda. But this album is seriously great. It's lyrics are full of hope, sincerity and meaning and while Neil didn't record with them, his strong presence on drums is seen in their live shows, which are something not to be missed. "Stay Down" is way up there on the Best of 2008 list. (See: "Stay Down" review).

Last but not least I want to mention Mike Felumlee, former drummer of Alkaline Trio and the Smoking Popes. While he has not officially released anything in 2008, he recorded and put up a slew of new tracks via MySpace and PureVolume. He has a split coming out this year, but I want to mention the new songs, because they are great. I'm a big fan of "64 Hours" and his split with Dan Andriano of Alkaline Trio. He's got a sincere, mellow voice, and a real knack for writing catchy, poppy guitar parts to accompany his heartfelt lyrics. I am really looking forward to his new material and anything else he does in the future.

Fest 10 announces more confirmed bands, gives away free compilation

THE FEST 10 recently announced more confirmations on their website for its big 10-year anniversary of their annual multiple-day, multiple-venue party down in Gainesville, Florida.

Added to the massive roster of bands will be onikers, Kyle Kinane, The Emotron, The Forthrights, Scum of the Earth, Worlds, Rivernecks, Alligator, Mouthbreather, John-Micheal Bond, Billy Wallace, Greys (Canada), Pujol, Kite Party, Teenage Softies, Wet Witch, The Fucking Wrath, Arms Aloft, Despite Everything (Greece), the Ex-Boogeymen, Over Stars and Gutters, Unfun (Canada), Liquid Limbs, Nato Cole and the Blue Diamond Band, Sister Kisser, Dig It Up (Canada), Luke Fields, Chicken Little, Charles the Ospery, Nightmares For A Week, Hold Tight, Vena Cava, Timeshares, Rose Cross, Post Teens, Nightlights, Douglas Shields and the X-Factors, Saint Alvia, Die Hoffnung, Chotto Ghetto, Sister Kisser, Evan Rocha, Luther, Party Drag, International Dipshit, Young///Savage, Kevin Seconds, Mauser, Wavelets and Creepiod.

You can read below for a complete list of bands performing including Hot Water Music, Against Me, Less Than Jake, Bouncing Souls, Lifetime, Dillinger Four, Samiam, Youth Brigade and more.

The festival will take place Oct 28,29 and 30 of 2011. Weekend passes are currently SOLD OUT but organizers are trying to find more venues willing to participate so they can open more weekend passes up for sale

FEST 10 also launched a Bandcamp page where anyone can grab a free downloadable comp featuring some of the artists performing. This will be the first of a six-comp series being released over the weeks leading up to the festival. You can go here to download (or just click on the album art):

Even though the FEST is SOLD OUT, organizers have been working with bands and local venues to help organize two PRE-FEST shows to happen on Thursday Oct 27^th.

Bands performing include Cobra Skulls, Nothington, Banner Pilot, Worn in Red, Bridge & Tunnel, Moutherbreather, Spanish Gamble, O Pioneers!!!, Shores, Caves, Pure Graft, Landmines and Fellowship Project. There are also two TBA special guests to be added at a later date.

Head to the FEST 10 website for venue and ticket information.

Bands confirmed so far:

Hot Water Music, Against Me!, Less Than Jake, Upright Citizens Brigade Comedy Touring Company, Samiam, Ted Leo + The Pharmacists, Defiance Ohio, Franz Nicolay, Lifetime, Bouncing Souls, Youth Brigade, Dillinger Four, Smoke or Fire, None More Black, Paint it Black, Small Brown Bike, Dead to Me, Teenage Bottlerocket, Toys That Kill, Lemuria, Tim Barry, A Wilhelm Scream, Polar Bear Club, Circle Takes The Square, Off With Their Heads, The Holy Mountain, Cobra Skulls, Magrudergrind, Bomb The Music Industry, No Trigger, P.S. Elliot, Trap Them, Dear Landlord, Underground Railroad to Candyland, The Menzingers, The Copyrights, Broadway Calls, La Dispute, Fake Problems, The Soviettes, Cheap Girls, Ninja Gun, Nothington, Good Luck, Shook Ones, Paul Baribeau , The Arrivals, Banner Pilot, RVIVR, Static Radio, Rehasher, Armalite, Screaming Females, Coliseum, The Swellers, Chris Wollard and the Ship Thieves, We Are The Union, Grabass Charlestons, Iron Chic, Mikey Erg, Ampere, Worn in Red, The Measure (sa) [FINAL SHOW], Burning Love (Canada), Tiltwheel, Bridge and Tunnel, Dan Padilla, Blacklist Royals, The Snips (Canada), The Brokedowns, The Bomb, The Catalyst, Algernon Cadwallader, Red City Radio, New Bruises, Shores, Future Virgnis, The Riot Before, Make Do and Mend, We Were Skeletons, Pianos Become Teeth, The Flatliners (Canada), Young Turks, Campaign, OK Pilot (UK), Look Mexico, Dirty Tactics, The Dopamines, The Arteries (UK), Bent Left, SSSSNAKES(UK), How Dare You, Comadre, Grown Ups, Such Gold, Tigers Jaw, Touché Amoré, The Great Explainer, PJ Bond, Carpenter (Canada), Annabel, One Win Choice, Amateur Party, Cynics (UK), Sexy Crimes, Greenland is Melting, Spanish Gamble, Captain We’re Sinking, Senders, O Pioneers!!!, Pure Graft (UK), Caves (UK), Mixtapes, Vultures United, Living With Lions (Canada), Mose Giganticus Mockingbird Wish Me Luck, Whiskey & Co., Protagonist, Dukes of Hillsborough, Max Levine Ensemble, Big Eyes, No Friends, Failure’s Union, 1994!, Landmines, Heartsounds, After the Fall, Cletus, Coffee Project, Savage Brewtality, King Friday, Fellow Project, Gateway District, Worthwhile Way (Japan), Calvinball (UK), Leagues Apart (UK), Glocca Morra (Canada), The Slow Death, The Anchor, Punch, Goddamn Doo Wop Band, Banquets, Old Man Markley, Red Collar, Weak Teeth, Deep Sleep, No More, Reverse the Curse, Assassinate the Scientist, Army of Ponch, Naïve, Capsule, Jeff Rowe, Koji, Go Rydell, Pine Hill Haints, A Great Big Pile of Leaves, Former Thieves, Elway, The Wild, Pygmy Lush, Too Many Daves, Joey Briggs. City of Ships, INxSANE (Slovenia), Spraynard and Vacation Bible School.

THE FEST 10 will host 250+ bands over three days at 11 venues all within walking distance in downtown Gainesville, Fl.

Last year, The FEST 9 had over 5,000 folks in attendance with visitors from 46 states and 14 countries such as Canada, UK, Australia, Austria, Belgium, France, Germany, Ireland, Italy, Japan, Puerto Rico, Spain, Sweden and Switzerland.

In past years, The FEST has hosted numerous bands such as:

7 Seconds, Able Baker Fox, Against All Authority, Against Me!, Alexisonfire, American Steel, Ampere, Ann Beretta, Armalite, The Arrivals, As Friends Rust, ASG, Assholeparade, Atom and His Package, A Wilhelm Scream, Banner Pilot, Baroness, Bear vs. Shark, Ben Davis, The Blood Brothers, The Bomb, Bomb the Music Industry, Bouncing Souls, The Briefs, Bridge & Tunnel, Broadway Calls, Burning Love, Cheap Girls, Chuck Ragan, Cinemechanica, Circle Takes the Square, Cloak/Dagger, Coalesce, Coliseum, Communique, Das Oath, Dave Dondero, Dead to Me, Dear Landlord, Defiance, Ohio, Dillinger Four, The Draft, Drag The River, Engine Down, The Epoxies, The Ergs, The Eyeliners, Fake Problems, The Falcon, Fifth Hour Hero, The Figs, Finfangfoom, Fleshies, Floor, Frank Turner, The Gaslight Anthem, Ghost Mice, Good Luck, Gospel, Government Warning, Grabass Charlestons, Gunmoll, Hard Skin, Har Mar Superstar, The Holy Mountain, Hot Cross, Hot Water Music, J Church, Joey Cape, Kylesa, Latterman, The Lawrence Arms, Leatherface, Lemuria, Less Than Jake, Look Mexico, The Loved Ones, Lucero, Marked Men, Mastodon, Mates of State, Matt & Kim, Mercury Program, Me First and the Gimme Gimmes, The Methadones, Minus the Bear, Municipal Waste, Naked Raygun, None More Black, Off With Their Heads, One-line Drawing, Paint It Black, The Pietasters, Pink Razors, Planes Mistaken For Stars, P.O.S., Polar Bear Club, Pretty Girls Make Graves, Radon, Rehasher, Riverboat Gamblers, Russian Circles, The Sainte Catherines, Savage Brewtality, Seaweed, Sinaloa, Small Brown Bike, Smoke or Fire, SNUFF, The Soviettes, Strike Anywhere, Suicide Machines, The Swellers, Ted Leo and the Pharmacists, This Bike is a Pipe Bomb, Thunderbirds Are Now, Tiltwheel, Tim Barry, Tiny Hawks, Torche, Toys That Kill, Transistor Transistor, Twelve Hour Turn, Valient Thorr, VCR, The Velvet Teen, Whiskey & Co., Wow, Owls!, Young Livers and Youth Brigade.

The FEST is put together by the folks who run No Idea Records and Southern Lovin’ PR.

'The Thorns of Life' by House Boat

By Jason Duarte
Traffic Street Records
8/13/2011
Rating: 4/5 (you guys didn't get a 5 because there is only one Ace song. Bitches.)

House Boat is definitely the best "Hey,-there's-these-leftover-Steinways-tunes,-what-should-we-do-with-them" band of the decade. This band scooped up not only pre-existing, disgruntled-by-their-demise Steinways fans, but Ergs! fans, Off With Their Heads fans and a couple of Rivethead fans. These tricky bastards covered the east coast AND the Midwest fanbase just by being like, "Hey, we're a band. No, a supergroup."
So they had success and (HIV-)positive feedback with their first album, The Delaware Octopus. Upon announcing a second album, fans all over the world (or at least the east coast and Midwestern USA) thought, "Shit, album number two. This is where they're gonna sell out. I bet it's gonna sound a lot like 'Load' by Metallica. I bet Mikey Erg's gonna get contact lenses. I bet Grath's gonna start auto-tuning his vocals. I bet they're gonna sign to Fat Wreck and they're gonna put people like Sam North and Adam Ali on the street. We'd better sell all our House Boat shit before it comes out so it looks like we never were a part of this band's fanbase."
BUT THEY WERE WRONG! They really were. Mikey still owns his glasses and I don't think Grath's vocals are that auto-tuned.
As over-produced and with as many synthesizers and lasers as The Thorns of Life has, it's a great record, with one exception: there's one fucking Ace song (remember that foreshadowing under the album art? You knew this criticism was coming, House Boat). I was told that it was going to be less of a Steinways band and more of a House Boat band, so I expected more Ace and Mikey Erg lead vocals. They do some great backups though. Guess I'll just have to wait for Ace's solo album, so I can have something to mack on my girlfriend with. Whatever. Hurry up.
In all seriousness, AIDS. No, this is a great pop punk record. It's everything that's a step up from The Delaware Octopus but with the same amount of power chords. That's hard to do, right? Best song: "Now We Are 31." Dude, this shit even ends with a fucking acoustic ballad by Grath called, "Bug Out." It's a good, hopefully-optimistic song about missing a girl and waiting around for her. I imagine him playing it at shows and everyone puts their arms around each other and sways around and sings along. About 3/5 into the song, drums come in and there's some electric guitar feedback beefing up Grath's ballad. It's just feedback though, it doesn't go, "DUNNNNNNN" at any point, like you expect it to. Whatever. Get this album cause it's fun and good and stuff and I'm not gonna talk about any of the songs other than the ballad. I'm not gonna mention the album art and it's similarity to Screeching Weasel's Television City Dream cover or the fact that the album title is the name of a defunct band fronted by Jawbreaker singer, Blake Schwarzenbach.

'Broken Heart Attack' by Lipreader

By Kevin Toomey
Lucky Gator Records
October 26, 2011
Rating: 3/5

In my last review (Noise by Numbers - Over Leavitt), I mentioned the growing influence of the 1990s resurgence and how it could be a bad thing. This time around, I’m getting a '90s vibe that I’m not bummed out by even though I probably should be. Lipreader’s (ex-Das Kapital) Broken Heart Attack 7” out on Lucky Gator Records presents four songs with a sound reminiscent of Jawbreaker or a less political Broadways. I think I like it better because Lipreader doesn’t sound like they’re trying to recreate the signature sounds of their influences, but instead take that sound and make it their own.
The record starts off with a bit of a snoozer, “The Next Train Home,” but it’s over before you get a chance to really give it much thought. The next track, “CHOKE,” brings it back up with a song about the ex-girlfriend that can simultaneously make a guy want be with her as she is “choking out all the life I have left.” Depressing as it sounds, this is a song I kept going back to. The band’s own description of: “Sad songs. Happy guys.” is pretty accurate. The last two songs, “Blankets and Sheets” and “Sleeping In,” are also really good and almost sound like a toned-down Off With Their Heads. All songs are available streaming on the band’s MySpace, two are up for free download at Lucky Gator Records' site and the 7'' is available for $5 here.

Squid Pro Quo's Top 10 of 2009:

In the fashion of David Letterman, or as Butthead would say, "that uhhh...Letter dude," I have compiled a list of 2009's Top Ten Albums.

Honorable Mentions:
15. Deep Sleep - Three Things At Once (Grave Mistake)
14. NOFX - Frisbee/Coaster (Fat Wreck)
13. Mike Hale - Lives Like Mine (Suburban Home)
12. Gateway District - Some Days You Get the Thunder (It's Alive)
11. The Riverdales - Invasion USA (Asian Man)

Albums:
10. THE BOMB - SPEED IS EVERYTHING (No Idea)

The Bomb, comprised of Jeff Pezzati from Naked Raygun, Pete Mittler and Mike Soucy from The Methadones and Jeff Dean from Noise By Numbers, Four Star Alarm, etc..., put out its third full-length this year. It's a great follow-up to "Indecision." It also proves that a punk rock band CAN pull of an A Flock of Seagulls cover.
TOP TRACK: "A Song For The Helenas"

9. PSYCHED TO DIE - YEAR ONE (Dirtnap)

New Jersey's Psyched To Die revives classic hardcore and blends it with pop-punk and thrash, making for some catchy, harder-edged material. The lyrics are pretty nihilistic and bleak but damn, this stuff is good.
TOP TRACK: "Permanent Solution"

8. CHUCK RAGAN - GOLD COUNTRY (Side One Dummy)

Hot Water Music's Chuck Ragan keeps doing it; making good, honest music from his heart. It's modest and carries the torch of old-time folk songs that narrate the lives of hard-working-class men.
TOP TRACK: "Rotterdam"

7. DEAR LANDLORD - DREAM HOMES (No Idea)

Dear Landlord is the melding of The Copyrights, Off With Their Heads and Rivethead. It's gritty, dirty and raw - stripping down the walls of your standard pop-punk song structure. It's a great debut album for Dear Landlord. Hopefully there's a 7'' or a follow up album by them soon.
TOP TRACK: "Rosa"

6. THE LEFTOVERS - EAGER TO PLEASE (Oglio)

A heavily-fueled power pop band from Maine - The Leftovers - followed up its last album, "On The Move," with this one. It definitely tops it. It definitely draws more influence from musicians like Elvis Costello and Joe Jackson. The songs are about girls, girls and girls. You won't be able to get this one out of your head. It's as infectious as it is catchy and is a virus worth keeping around.
TOP TRACK: "The Only One"

5. CHRIS WOLLARD AND THE SHIP THIEVES - CHRIS WOLLARD AND THE SHIP THIEVES (No Idea)

Chris Wollard built the anticipation for this debut full-length with his split 7'' with Mike Hale in 2007. Hearing Chris Wollard and Chuck Ragan sing together all these years created something of a duality in my head, and I love their music both equally and separately in their own respects. If that makes any sense. This album is an introspective one and kind of a lonely one at that. It's riddled with insecurity and desperation but also with love and optimism. I'm gonna use the word duality again. It's a perfect balance and quite poetic.
TOP TRACK: "All The Things You Know"

4. HOUSE BOAT - THE DELAWARE OCTOPUS (It's Alive)

These guys again!? Yes, yes. I did review this album not too long ago. I wasn't kidding when I said it was fucking awesome and so on. It's funny. It's catchy. It's fast and poppy and upbeat and just cool. It's a cool fucking album by a bunch of cool fucking dudes. Especially Ace.
TOP TRACK: "My Guts Have Shit For Brains." Just kidding, it's their cover of "Traffic School."

3. Noise By Numbers - Yeah, Whatever... (Asian Man)

This new band emerged in 2009 called Noise By Numbers made up of Dan Schafer (Screeching Weasel, Riverdales, Methadones, Sludgeworth, etc...), Jeff Dean (The Bomb, Four Star Alarm, etc...), Neil Hennessy (of the Lawrence Arms - though he just played on the album) and Rick Uncapher (from Textbook). Rather than Schafer's more power pop/punk rock take on songs, these ones are a little different. They're influenced by more complex bands and ideas than say, The Ramones. I'd compare the music to something The Replacements inspired. It's closest to Dan's other band, Sludgeworth, I'd say. Just listen to it, words can't do everything (anything) justice.
TOP TRACK: "Waiting For The Train"

2. Banner Pilot - Collapser (Fat Wreck)

Holy shit, I thought. This sounds like their first album, "Resignation Day." I listened to it a few more times and realized I was completely wrong and now I know why they got signed to Fat. This album is pure gold. Plus it sounds incredible. As it should for spending $11,000 in recording costs. These guys have definitely earned the right to be on Fat and I can't wait to hear more.
TOP TRACK: "Starting At The Ending"

1. TEENAGE BOTTLEROCKET - THEY CAME FROM THE SHADOWS (Fat Wreck)

Speaking of earning the right to be on Fat, it's about friggin' time! Teenage Bottlerocket has been putting out really solid albums for the last four years. They've been packing and selling out clubs across the country. Their last two albums have been very straightforward pop punk. This one explores thrash and skate punk a little more. "Bigger Than Kiss" is a straight-up Sack tune. I swear it! These guys are great dudes and they deserve to keep climbing the proverbial ladder. That and they simply rule. "They Came From The Shadows" landed them to a really great label and it's landing them to the top of the Squid Pro Quo Best of 2009 list.
TOP TRACK: "Fatso Goes Nutzoid"

House Boat - "The Delaware Octopus" review:

Based outta Elmhurst (NY, not Illinois), comes The Steinways! I mean The Ergs. I mean Dear Landlord. Er-Off With Their Heads. I mean The Steinways! If they all just jerked off on a toilet seat at a rest stop in Indiana and then a woman of particularly low appeal sat on it, the baby would be called House Boat, OK? And it would kinda look like the little feller that graces the cover of its debut album, "The Delaware Octopus."

Before I get too into this whole review process, I've listened to this fuckin' thing over 15 times in the last two days. That doesn't really happen when I review something but goddamnit, this shit is tighter than a nun's snatch. Especially if you like all those dead (but not really?) bands that these guys used to play in.
Grath (Steinways, Barrakuda McMurder) sings lead vocals on most of these short little nuggets of gold.
Surprisingly, Mikey Erg only makes one vocal appearance (that I can discern) on the album during the song "Battlestar Galactica..."

The themes seem to be similar to that of The Steinways'. You know...Grath signing about being fucked up, stoned and pathetic and falling over chicks and shit. Yet, all in a really, really catchy way. Then there's the Ace songs, which were always my favorite of The Steinways' tunes. No offense, Grath or Michelle. Ace sings on "My Guts Have Shit For Brains," which, from what I can tell, is about being fed up with bungholes 10 years younger than him at school. It's also quite possibly the best name for a song I have ever heard. If you've got a heterosexual crush on Ace like I do, he also sings on "30 Going On 13," in which both Grath and he split the vocals (with a little bit of Zack in there). It's a tune about lacking motivation infused with stress, laziness and uh...you know...defeat really. But you go with the motions anyways kinda thing cause you have to.

"A Song For Halfpint To Suck On My Balls To" came on and I thought it was a fucking Copyrights tune at first. Well, Zack sings it. But he does that thing Fletcher does where he opens his mouth real big and stretches the vowels. It rules. Then him and Grath share vocals during the chorus. This album ends after 13 catchy songs with a run time of 20:21. I was disappointed that they didn't put "Traffic School" on here. Ace was kind enough to inform me that "Traffic School" is actually a Kirk Hammett (Metallica) cover from some Metallica DVD. I guess he had to go to traffic school, so he went with his guitar and came out with that tune. Perhaps House Boat will release it sometime. It used to be on their MySpace if you have absolutely no fucking clue what I'm talking about. Bottom line is, when It's Alive Records finally releases this, get a copy and have yourself a good old time as you relish in the memories of The Steinways and The Ergs! but are also experiencing something totally new and completely fucking awesome. 5 stars out of 5. I've never done that before. Shit's tight. Here's the artwork. The baby's head was originally supposed to be a Buddha head, but I guess Adam Ali changed it. I'd like to see the original artwork, done by Michelle Shirelle of The Steinways. But the final version is great too.



"The Delaware Octopus"

1. I Watched The Biggest Loser Australia
2. I Work On The 13th Floor
3. Alonelylonelylone
4. Battlestar Galactica Vs. The Pop Punk Message Board Part VI: Grivet Loves Goats
5. My Guts Have Shit For Brains
6. Every Day
7. My Life Hurts
8. Are You Into Metal?
9. 30 Going On 13
10. All Of The Time
11. A Song For Halfpint To Suck On My Balls To
12. Wait, What?
13. Dumbmarket Travesty

Twilight is a load of horse shit

Before about 2 a.m. this morning, I had never seen a Twilight movie for a bunch of reasons:

1. I'm not a 13-year-old girl.
2. The "vampires" allegedly "sparkle" in direct sunlight.
3. Anything that Hot Topic pushes in their stores is a dead giveaway that it chugs a whole bunch of cock.
4. I don't particularly care about movies.
5. I don't particularly care about really popular fad movies like this whole resurgence of the fascination with vampires thing.
6. I can smell bullshit from a mile away.

Anyways, I'm not going to say why I went to the midnight showing of Twilight (my girlfriend SORT OF made me go), but I need to release pressure from my chest by listing off all the things that are fucked up about that horrible flick.

Fucked up thing number 1: Everyone is emo. Everyone. And it's really fucking lame. They're all infatuated with themselves, are socially awkward, cannot seem to convey their thoughts and emotions whatsoever and come across as fucking MORONS. Kind of like real emo people. Kind of like not only my generation (the kids who grew up REAL heavy on TV and fucking video games), but the younger generations now who have absolutely NO handle on things and may not know were to draw the line on say, death or sex, etc. in their heads.

Fucked up thing number 2: The so-called "werewolves" just walk around shirtless throughout the whole movie.
"Oh, it's so they don't rip their shirts when they transform into werewolves, silly!"
I am one step ahead of you polesmokers: Why do they still have shorts and socks and shoes on when they go back to human from werewolf? Furthermore, the females had shirts on to begin with and they came back with shirts on. So I would assume if those 'roided up high school fucks put a goddamn shirt on, they'd come back with theirs too. Oh wait, I forgot, it's Hollywood and they have to sell sex to a bunch of pre-pubescent girls who get all moist at the sight of a shirtless slightly older adolescent male.

Fucked up thing number 3: Off that, what the hell? There's already multiple generations of females walking the planet who feel inadequate, insecure, lost, depressed, confused and isolated because of social "norms" implemented by TV, advertisements and bullshit movies like this one. You have a kid? Your daughter gets on this Twilight wagon, she's probably going to be giving it up at the first immature understanding of "love" that this stupid movie (backed by millions of real people) drilled (and thus, validated) into her brain because like Kristen Stewart, she won't feel complete without a man in her life. Well fuck that codependency bullshit, at least when you're young and innocent and stupid and don't know any better. Be a goddamn kid and don't worry about the things that you might be doing when you're older.

Fucked up thing number 4: The vampires sparkle? Are you fucking kidding me? What could have been a redeeming quality of this horrible piece of shit was another thing that made it to this retarded list. They could at least do something cool in the sunlight like oh, I dunno: catch on fire!? Melt!? But they sparkle. And what's with the beginning of the movie when the vampire dude and Kristen Stewart are sitting in the field staring at each other and going back and forth about their bullshit insecurities? That shit was straight outta Star Wars: Episode III. That mime-looking son of a bitch (and the whole scene in general) set off my "I FUCKING HATE ANAKIN SKYWALKER" alarm. The only thing is, this Edward asshole had absolutely no chance of ever being a bad ass like Anakin did, so it wasn't as tragic. It was just sad. It was one self-pitying situation after another. Boo fuckin' hoo. I wish you weren't a vampire so you'd die.

Fucked up thing number 5: Kristen Stewart should not be innocent or exempt or made to look faultless by the author. If that was real life, and she allegedly loved that one dude, she wouldn't go making out with the other dude in front of him. There's a term for chicks like that. What is it? A slut, defined by my friend Merriam-Webster as "a promiscuous woman." Kristen Stewart, you're a liar and a slut. And you're pretty fuckin' dumb and boring to boot. Why you have two guys all bat shit about you is beyond me. But when you look at how retarded and afraid of confrontation and communication they are as well, I guess it makes sense. Fuck you, Kristen Stewart.

Fucked up thing number 6: These two dudes who allegedly have gigantic boners (though I saw no evidence of masculinity throughout the entire movie) for Kristen Stewart end up BUDDYING IT OUT in a fucking tent on the top of Mt. Everest or some shit. WHAT THE FUCK?! They are trying to bag the same chick!! She is right there!!! In fact, she is cuddling with one of the guys and the other guy is just sitting in the tent WATCHING THEM all SAD. It would have been the PERFECT opportunity for either one of those cocks to transform into whatever creature they could be and tear the other one apart. Vulnerability. Knowing your enemy. It's fucking key!!! Had that shirtless whiny asshole transformed into a werewolf in that tent, he could have killed the vampire dude when he was professing his thinly-disguised homoerotic love for him, thus causing there to be ONE guy for Kristen Stewart to make out with instead of two. Simple solution. There's a cancer - you get rid of it. Fucking weak. Another potentially redeeming scene shot to shit. You're both a disgrace. I was waiting for them to start cuddling. Maybe the shirtless werewolf guy could have made the cold vampire guy "feel" something warm. I bet. Then Kristen Stewart can go and be a housewife like she wants to be, deep down inside with someone who will at least HONESTLY treat her like the doormat she's played out to be.

Fucked up thing number 7: Now that I think of it, I didn't see one eclipse throughout the entire movie. What the fuck!

Fucked up thing number 8: I got three hours of sleep last night, woke up late for work, got really really upset with myself, which made me get abnormally emotional about one of my favorite bands breaking up and I'm fucking exhausted. I hate you, Twilight.

Fucked up thing number 9: I actually wasted time out of my life to compile a list of how much I hated that goddamn movie. I need a real thing, like lunch.

"Merman Records Presents: Sea Creatures Vol. 1" 7'' review

Merman Records' second 7'' release, "Sea Creatures: Vol. 1" is a four-way split between Fear of Lipstick, the Neutron Bombs, Regal Beagle and The Roman Line.

The first track by Fear of Lipstick, "Did Ya Know?," is your standard three-chord pop punk song a little too reminiscent of Screeching Weasel's "Racist Society." It seems to adopt the same authoritative, informative attitude that Ben Weasel was so good at conveying in early Screeching Weasel. Fear of Lipstick isn't trying to be anything they're not here as "Did Ya Know?" is a more personal statement rather than a statement period, if that makes any sense. They play really well, the recording quality is a bit low but overall it's a good song and I'd check out more by this Canadian four-piece.

The second band on here is the Neutron Bombs from Chicago, IL. I've seen them play three times now, two of which were shows we played together and every time I see them, I like them more and more. My first impression was "Ken sounds British." The Neutron Bombs write some catchy songs with sweet bass and guitar riffs. Songs from the band's demo display this more than "Not Listening." Exactly two minutes in length, this is the best-sounding recording the band has and hopefully in time, we get to hear more by them. Oh, they also feature Pete from The Methadones, The Bomb and Explode and Make Up on bass. I'm going to say this song is good, reminiscent of British punk and power pop with a Midwest attitude obviously influenced by bands like Naked Raygun. Then The Dickies/Pointed Sticks/999/The Damned influence is also apparent. Check this trio out.

The third song, "Party Again" is by a band called Regal Beagle from Los Angeles. These guys sound awesome and I can't believe I haven't heard of them before. I hate to sound redundant but the beginning of the song sounds like "99" by Screeching Weasel. They also kinda remind me of The Leftovers with the "let's get drunk and party" attitude accompanied by a rockin' guitar solo. The song, less than a minute and a half in length, goes fast but rocks and is the best tune on the split. Oh, the band's MySpace profile also has a song that Joe Queer sings quite a bit on. Fucking rad.

The fourth and final band on the split, The Roman Line, strays furthest from the traditional pop punk sound, but still maintains that three-chord sound just with distortion, kind of like how Off With Their Heads does it. Their song is called "Squeaky Wheel Gets The Grease" and is about a girl that sounds as if she's an "attention whore." It's got more gruff-sounding vocals with bass and drum and then it'll go to a totally Fat Wreck-sounding verse, something like the Loved Ones or Smoke or Fire would come out with. There are backing vocals in there that reinforce that sound that I'm having trouble describing...

Anyways if you're sick of the stuff you've got and are open to new music by bands you may have never heard before, pick up this 7'' from Merman Records (www.mermanrecords.com). It's fun, diverse-sounding, and a great split put out by a great new label. I am looking forward to the next volume of "Sea Creatures" already.

New Underground Railroad To Candyland Songs!

Big Cheese are premiering “We Are Not The World” from from San Pedro, California’s Underground Railroad to Candyland.

Jaded in Chicago recently debuted the new track, “That I Dunno” and Amp Magazine also debuted the track, “Jimmy V”. Both sites also posted an interview with Todd Congelliere.

All four new songs come from URTC’s sophomore album Knows Your Sins to be released on LP/CD April 26th via Recess Records.

Knows Your Sins was recorded and produced by the band in their own studio, Clown Sound, earlier this year and follows up their critically hyped debut, Bird Roughs.

URTC’s live show is one to remember with an ensemble cast of characters, instruments and costumes taking the stage. You can check out their performance at this past fall’s FEST 9 here.

You can also check out a video for the demo version of “Stop Crying Kid” here.
The video was composed of 826 still photos over a year’s span!

The band will also be performing at this year’s installment of Chaos In Tejas in Austin, TX along side of Guitar Wolf, Off With Their Heads, Mind Spiders, and Cheap Time as well as a few shows in their home state of California.

UNDERGROUND RAILROAD TO CANDYLAND TOUR DATES:

03/25 – Oakland, California @ Sugar Mountain
03/26 – San Francisco, California @ Thee Parkside
04/30 – San Diego, California @ Bar Pink
05/07 – Los Angeles, California @ Pherespace
06/04 – Austin, Texas @ Chaos in Tejas

Members of URTC also play in Toys That Kill, F.Y.P. and Stoned at Heart.

Top Albums, EPs, 7''s, Splits and Demos of 2011

First up is Top 20 full-lengths followed by Top 20 EPs/7''s/collections/demos and finally, Top 8 split 7''s. By each band name and release is a link to the label to which it was released, followed by a brief writeup, a link to a review (if it was reviewed), the album art, and then streaming music from the release. A lot of great releases came out this year. I hope you enjoy, and find at least something new. What were your favorite releases this year?

Top 20 Full-Lengths of 2011

By Jason Duarte

1. Tenement - Napalm Dream (Mandible)

Tenement is a band I saw a couple years ago, but paid no attention to, as I had never heard of them at the time. When Napalm Dream was released this year, I recognized the band and gave it a listen, which turned into giving it a shit ton of listens. This album channels garage, punk, indie and rock music and weaves it all into a beautiful sonic tapestry. This is the best album I've heard all year. Check out our review of Napalm Dream here.

TOP TRACKS: "Stupid Werld," "Spit In the Wind" and "Running Into Mirrors."

2. Samiam - Trips (Hopeless)

Samiam has an impressive back catalog, but since 2000's Astray, nothing has grabbed me the same (I know there isn't a lot since 2000). I picked up a copy of Trips at Reggie's without having heard it prior, and I am so happy I did, because it saved me from shipping charges. This album is Samiam at its best - the songwriting is top-notch, very well thought out and you can tell the band really took its time to write this one. Recorded at Green Day's Jingletown Studios, this album is great from start to finish, and the recording quality is incredible. Check out our blurbs about Samiam here.

TOP TRACKS: "80 West," "September" and "Happy For You."

3. Banner Pilot - Heart Beats Pacific (Fat Wreck)

This year, Banner Pilot released its new album - it's third Fat Wreck release (including the remastered re-issue of Resignation Day). Nate Gangelhoff's pronounced bass lines and songs are tighter than ever, the songs are personal and the sound holds true to the band's previous releases. This is also the perfect album to listen to in winter. Check out our blurbs about Banner Pilot here.

TOP TRACKS: "Forty Degrees," "Eraser" and "Intervention."

4. Black Wine - Summer of Indifference (Don Giovanni)

This year, Black Wine kicked all our ears' asses with an album titled, Summer of Indifference. I was in love with their first album and thought, "eh, they probably can't top it." What happened with that scenario was the complete opposite. This album is awesome. It's more held together by the members. They've tightened up. They've honed in on the sound they're going for, and they executed it wonderfully. The album art is nice and simple and just cool. I was lucky enough to catch two of their shows in Illinois this summer, and book one/house them for one. A great album by some great people.

TOP TRACKS: "End of Days," "Spit To See the Shame" and "Ocean's Skin."

5. House Boat - The Thorns of Life (Traffic Street/Kiss of Death?)

Fucking finally got my physical copy of this shit! House Boat released its second full-length, which turned out awesome. I was all "meh" about the Processing Complaints 7'' (but really dug it), but this full-length blew me away. As always, it could use more Mikey Erg! and Ace (of bass) vocals (screw you, Zack (just kidding)), but hey - you know what, it's like the Steinways never died, and I'm OK with that. In fact, it's like The Steinways evolved. This album kicks ass, and as of Christmas day, I wasn't sure if this thing was ever going to see a physical release, being I ordered it on July 31. Also, I was promised a poster and a pin when I ordered this, and didn't receive either - did anyone get those items, cause I'd feel a lot better if everyone didn't get them. I'm writing a letter, damn it!

TOP TRACKS: "Now We Are 31," "Real Life As a Metaphor For Real Life" and "A Song In Which I Convince Myself To Stop Being Such a Fucking Idiot."

6. Night Birds - The Other Side of Darkness (Grave Mistake)

"What the fuck, another east coast band on your top whatever list," you say? "Yes." Night Birds is awesome - no one can argue with that (they can try). After releasing a bunch of 7''s and EPs and shit over the last few years, they finally released a much-anticipated full-length. Before this, we had to hold ourselves over two or four songs at a time. The band re-recorded two songs from their demo CD-R, "I Can't Get Clean" and "Paranoid Times." There's also a song about the movie They Live called "Hofmann Lens." It rules and so does all 22 minutes of this record. Check out our full review of The Other Side of Darkness here, and other reviews of their stuffhere.

TOP TRACKS: "Born of Man and Woman," "Demon Haunted World" and "Hofmann Lens."

7. Sundials - Never Settle (Toxic Pop)

Sundials was another new band to my ears this year. A great indie/punk band from Richmond, Virginia, Sundials sings from the heart and captivates its listeners. Much recommended. Check out our review of Never Settle here, and our interview with the band from earlier this yearhere.

TOP TRACKS: "Take You In My Coffee," "Either Way" and "Probably Not."

8. The Copyrights - North Sentinel Island (Red Scare/It's Alive)

The Copyrights are one of my favorite bands, and it used to be they'd release a full-length every year. But it's been three years since Learn the Hard Way's release. The band took its time on this one, and recorded it at Atlas Studios in Chicago with Matt Allison. They went all out and added keyboards and a couple other things they haven't introduced to us yet. I love this album, and the band's Crutches 7'' is a great accompanying release. Check out our interview with Luke McNeill (drums) from earlier this year here.

TOP TRACKS: "Bow Down," "20 Feet Tall" and "Never Move Your Back Row."

9. Deep Sleep - Turn Me Off (Grave Mistake)

Deep Sleep is one of the only current hardcore bands I listen to, as I'm not much a fan of modern hardcore, but this band gets it. It's not just screaming and yelling and blind agression; there's a point to the songs, and that's key. Like Night Birds, Deep Sleep has released a handful of 7''s and a collection album before releasing a proper full-length. All 13 minutes of this album is filled with intense, urgent and great hardcore. Check out our review of Three Things At Once here.

TOP TRACKS: "Slow Down," "Be With You" and "Head Spins."

10. Noise By Numbers - Over Leavitt (Jump Start)

Noise By Numbers released one of my favorite albums a couple years ago and now they've released another one, along the same vein of heartfelt, geocentric songs by beloved Chicago punk musicians. I am a huge fan of this album, though I'm not sure it tops Yeah...Whatever. Check out our review of Over Leavitt here, and one I did for Jaded In Chicago here.

TOP TRACKS: "Lost My Way," "I Don't Think So" and "Over Leavitt."

11. Lemuria - Pebble (Bridge 9)

Lemuria is an awesome indie/pop/punk band from Buffalo, NY. Sheena Ozzella (guitar) has a higher, vulnerable voice and she switches lead vocals with Alex Kerns (drums), who has a lower, more monotoned voice. They compliment each other wonderfully and the catchy tunes on this album will resonate with you for a long time. I've been playing this with the band's entire back catalog for weeks. Their most recent DIY space show in Chicago was incredible and I can't wait to see them again.

TOP TRACKS: "Chautauqua County," "Pleaser" and "The One."

12. Underground Railroad To Candyland - Knows Your Sins (Recess)

Underground Railroad To Candyland is one of the most fun bands to see live. I was lucky to catch them at Schuba's this year with Screaming Females and Treasure Fleet (though it took me three hours to get there). I can't say enough good things about URTC. Check out our review of Knows Your Sins here, and at the Elgin Courier-News here.

TOP TRACKS: "We Aren't the World," "And You Think You Can Tame Me" and "Stop Cryin' Kid."

Stream Knows Your Sins here.

13. Spraynard - Funtitled (Asian Man)

Spraynard is a great young band from Pennsylvania. Its posi-punk, anthemic songs are nicely-layered, especially for a three-piece. I was fortunate enough to catch them twice in San Francisco this year as part of the AMR 15-year anniversary festival, and see their raw talent and emotion come through with the songs. Spraynard is a great contrast to a lot of the more negative or otherwise nihilistic punk rock songs out there. Check out our review of this year's Broadways reunion show featuring Spraynard here.

TOP TRACKS: "The Denver Broncos vs. The Denver Broncos," "Homies Where the Heart Is" and "Quite Exciting, This Computer Magic."

Download and donate here.

14. Kepi Ghoulie - I Bleed Rock 'N' Roll (Asian Man)
KEPI!! What a pleasant surprise this album was. Kepi keeps it Kepi-esque while switching it up a little bit, introducing more rock 'n' roll riffage and energy. The dude is a machine. I love this album, and wrote some reviews for it. Check it out, and give this one a listen - one of Asian Man's best releases this year!
Check out our review of I Bleed Rock 'N' Roll here, and over at Jaded In Chicago.

TOP TRACKS: "The Fever," "Nikki Lee" and "I Bleed Rock 'N' Roll."

Stream I Bleed Rock 'N' Roll here.

15. The Dead Milkmen - The King In Yellow (Self-released)
It's been too long since the Dead Milkmen released a proper full-length, and holy crap! We have a new one! The band put it out themselves, and are selling CDs and digital versions of the songs on its website. The songs are funny, satirical, serious and cynical. They don't skimp out either with 17 new songs on this one.

TOP TRACKS: "Meaningless Upbeat Happy Song," "Passport To Depravity" and "Or Maybe It Is."

Preview the album here.

16. Brick Mower - Under the Sink (Viking On Campus/Stumparumper)
Brick Mower is a three-piece from NJ, heavily influenced by grunge and punk. I was lucky enough to meet these guys (and girl) this summer while they were on tour with Black Wine (NJ). The bands stayed at my house in Elgin and played the Gasthaus, and then Chicago the next day. Those two days were absolutely packed with fun, and I'm happy to have been introduced to these guys. Their music is straightforward and raw. This album gets better the more you listen to it.

TOP TRACKS: "Tuxedo Bitch," "Slow Too Fast" and "Weaving."

17. The Gateway District - Perfect's Gonna Fail (It's Alive)
Minnepolis's Gateway District is a fun band. Their first album, Some Days You Get the Thunder was amazing, and this follow-up album carries the rock. This album is upbeat and fun and one of my favorite It's Alive releases of the year.

TOP TRACKS: "Leaving Me Behind," "Waiting For the Sirens" and "I'll Take the River."

18. Dan Andriano In the Emergency Room - Hurricane Season (Asian Man)
One of my all-time favorite songwriters. Dan Andriano gushes with honesty and raw emotion. This record starts off pretty melancholy but by the end, the sun's out. Check out our blurb about Dan here.

TOP TRACKS: "Let Me In," "It's Gonna Rain All Day" and "Me and Denver."

Check out a track-by-track article on the album here.

19. Face To Face - Laugh Now, Laugh Later (Antagonist)

Face To Face was one of my first favorite punk bands in high school, and this is their first new album since 2002's How To Ruin Everything. Seeing them with Strung Out this year was amazing, as it was my first time. This album is upbeat, and just as awesome as anything else they've done (OK, not anything, but still...for 9 years of breakage, this album rules). The bass line on "What You Came For" is the best part of the entire album. Check out our blurb aboutLaugh Now, Laugh Later here.

TOP TRACKS: "What You Came For," "It's Not All About You" and "Should Anything Go Wrong."

Stream here.

20. Smoking Popes - This Is Only a Test (Asian Man)

One of my all-time favorite bands are The Popes. This Is Only a Test is the band's first new album since Stay Down was released in 2008. This album is great - as it is a concept album told from the perspective from a high school-aged male. Interesting and intriguing, but I felt it pigeonholed itself (just a little bit). This is a great record, and I look forward to the next Popes album.

TOP TRACKS: "Wish We Were," "Freakin' Out" and "Letter To Emily."

Stream the album here.

Top 7''s/Collections/EPs/Demos of 2011

1. Tenement - Blind Wink LP (Cowabunga (LP)/Dead Broke (cassette))

Formerly released exclusively to cassette, I was happy this gem found a proper vinyl release. I know it's heavily Tenement, but they've been the band of the year over here. This collection of demos and other tracks is a great deviation from Napalm Dream. So much so that it quickly climbed to the top of my list.

TOP TRACKS: "Lost Love Star Lust," "Hey Soozie" and "(Messy Endings) In Middle America."

2. Iron Chic - Split N' Shit EP (All In Vinyl/Yo-Yo)

Not Like This was my favorite album last year. The split they did with Pacer, plus the Bikini Kill cover and European tour song are all packaged into one on this digital EP, which is nothing short of amazing. I can't wait till the second full-length release this year.

TOP TRACK: "Climate Is What We Expect, Weather Is What We Get."

3. Tenement - Taking Everything 7'' (Toxic Pop)

The Taking Everything 7'' is an amazing follow-up to Napalm Dream. One catchy, hook-laded electric song, a slow one and another catchy slower one are on here with a bonus track called "Jesse's Poem." Check out our review of the Taking Everything 7'' here.

TOP TRACK: "Taking Everything."

4. Chixdiggit! - Safeways Here We Come LP (Fat Wreck)

Chixdiggit! is back with its first release since 2005's Pink Razors. This 12'' EP is seven songs long and just as tight and funny and amazing as their past stuff. The first song's about Miso Ramen (or is it?), and then KJ Jansen wrote some songs about hating on his friend's dog, stupid hairstyles, his disgust for basketball and so on. This release is awesome.

TOP TRACKS: "I Hate Basketball," "Swedish Rat" and "I Hope Things Will Turn Around."

Stream the EP here.

5. The Steinways - Promise It'll Never Happen Again LP (It's Alive)

This is one of the best pop punk bands ever. This LP is a collection of various 7''s the band released over the years (Rocket Surgery, the It's Alive Wedding split, the Peabodys split and more). There's a lot of great pop punk on this album. Makes me wish The Steinways were still a band. Check out our review of Gorilla Marketing here.

TOP TRACKS: "Always? Never!," "Headache-Girlfriend=Zero" and "I Shit (You Not)."

6. The Measure [sa] - My Heart and the Real World: Another Collection of Standard Waits and Measurements (No Idea)

The Measure [sa] broke up this year, playing its last show at Fest 10 in Gainesville, FL. The last few shows they've played, they were giving away a 7'' called Jersey's Best, and I was kind of disappointed those songs didn't make it on this collection LP. BUT, a whole bunch of the band's 7''s made it on here including its splits with The Ergs!, the Art of the Underground 7'' and many others. For someone like myself who hasn't tracked down and rounded out his Measure [sa] collection, this is perfect. Pre-orders from No Idea also came with a bonus 7'' with a song that also isn't on the collection (argh!) and some live songs from Fest 9. Awesome! I wish I had them digitized!

TOP TRACKS: "We've Upped Our Standards, Now Up Yours," "Remember the Devillock" and "Workage."

7. Night Birds - Fresh Kills, Vol. 1 (Grave Mistake)

Pre-dating The Other Side of Darkness came this release, a collection of the band's 7''s and EPs. It has everything TOSOD doesn't, and it's amazing. If you don't have all the other releases, I'd recommend picking this up.

8. Night Birds - Midnight Movies 7'' (No Way)

Night Birds released a collection CD this year, titled Fresh Kills, Vol. 1, which features theMidnight Movies songs, but before that came this 7''. Four fast, sick songs in 6 minutes. The artwork, by Mike Diana, is arguably the best part of this release. Research him if you're not familiar. Check out our review of the 7'' here.

TOP TRACK: "Midnight Movies."

9. Mikey Erg! - Heart-Shaped 12'' (Paper + Plastick)

Mikey Erg! is arguably the coolest dude ever. We got to hang a bunch in San Francisco this summer and around the country in some other parts this past year (NJ, Chicago, etc.). He's one of my favorite songwriters and can do no wrong by me. On Valentine's Day this year, Paper + Plastick released three colors (I have all of them!) of a two-song heart-shaped 12''. Both are catchy as fuck, and will resonate in your head for months (at least). Read some Mikey Erg!blurbage!

TOP TRACK: "Little Hands of Concrete."

10. Teenage Bottlerocket - Mutilate Me 7'' (Fat Wreck)

Teenage Bottlerocket made my number 1 album of 2009 list, and now they've followed up with this 7'' titled, Mutilate Me. It's just enough to hold me over until new TBR songs come out. Word is, they're writing/recording for a new full-length. The two originals on this 7'' are amazing and they do a great cover of Bad Religion's "Henchmen" at the end. Check out our review of Mutilate Me here.

TOP TRACK: "Mutilate Me."

Stream here.

11. RVIVR - The Joester Sessions LP (Rumbletowne)

RVIVR is a band I got into post-Latterman and post-Shorebirds. I like them a lot more. They're proactive, gritty, bold and aren't afraid to speak their minds and shatter the status quo. This collection LP features the songs off the Life Moves 7'', the Dirty Water 12'' and the Derailer 7'', with a bonus song titled, "Elizabethan Collar." This is one is a fun one.

TOP TRACKS: "Seethin'," "Life Moves" and "Tallest Tree."

12. The Old Wives - Backed In a Corner EP (When's Lunch)

The Old Wives are in my top two favorite bands from Canada (Chixdiggit! is the other one). They are an amazing pop punk band and on this new EP, bassist Ryan Dix takes over on lead vocals for a couple of tracks. It's an awesome change-up, as his vocals compliment Liam's very nicely. He's a lot more smoother, a little higher and poppier and Liam's are a bit grittier and lower. I highly recommend this band, and their full length kicks ass.

TOP TRACKS: "Backed In a Corner," "Heroes" and "Dix 1N1."

Stream the EP here.

13. Worriers - Past Lives 7'' (No Idea)

So The Measure [sa]'s last show was at Fest 10 in October, and from the ashes, Lauren Measure, MIke Hunchback and two other dudes formed this band. It sounds very Measure-esque. The intros to the songs are all pretty similar; individual notes being plucked from chords, but the songs are great. Being I'm such a huge fan of The Measure [sa], I'm happy to hear Lauren's still making music. Check out our blurb on Worriers here.

TOP TRACK: "Past Lives."

14. Chris Wollard and Addison Burns - Lil' Bitta 7'' (No Idea)

Chris Wollard is one of my favorite songwriters, and since Hot Water Music's hiatus, he's been dabbling in his own solo material. He released a split with Mike Hale, Drag the River and a couple other 7''s before this one, where he teamed up with Addison Burns. This 7'' features four original tracks and is great folky, mellow tunes in the vein of Rumbleseat and The Draft. Can't wait till his next release.

TOP TRACK: "Lil' Bitta."

Listen to/watch songs from Lil' Bitta here.

15. The Bomb - The Challenger 11'' (No Idea)

The Bomb features Jeff Pezzati of Naked Raygun on vocals, Pete and Mike S. from The Methadones on bass and drums and Jeff Dean on guitar. You might call The Bomb a Chicago punk supergroup, and really, that's what they are. This 11'' from No Idea features four new ones and four live ones from the first two albums. A real treat.

TOP TRACKS: "Man...Atlanta," "Hey World" and "A Song For the Helenas (Alternate Take)."

Check it out here.

16. The Measure [sa] - Jersey's Best 7'' (Don Giovanni)

I missed their last two shows in NY and the Fest 10 final show, so I wasn't able to pick this 7'' up in person, but lucky for me, No Idea had extra copies and I was able to snag one. This is The Measure [sa]'s final recordings (to date), and it's awesome. I feel like The Measure [sa] is a band that improved with time, so they definitely went out on a high note with this one. The song "Jersey's Best" is nothing short of amazing. I love this 7''.

Check out our review of Notes here.

TOP TRACK: "Jersey's Best."

17. Latterman - Our Better Halves 7'' (Self-released)

Latterman did a reunion show not too long ago in New York, and the band pressed up a bunch of these one-sided 7''s featuring a song they recorded in 2007 called "Our Better Halves." It was the last song the band recorded together and it was never released before the band called it quits. This year, it saw the light at the reunion show. It sounds more up Iron Chic's alley to me, or RVIVR, but it's an amazing song. A little pricey for one song, but it's not like new Latterman material is going to be recorded again.

TOP TRACK (heh): "Our Better Halves."

Listen here.

18. RVIVR - Belebend 7'' (Yo-Yo)

RVIVR released this European-label-only 7'', which I hadn't heard of till just a few weeks ago. The songs are on YouTube, and the 7'' is available in distros/labels overseas, and it's awesome. I especially love "Wrong Way One Way," which I believe they played the last time they came through Chicago at that basement show. It sounded great, and I'm glad there's a studio version now. If some domestic distros pick this up, I'm going to snatch it.

TOP TRACK: "Wrong Way One Way."

Listen to "Wrong Way One Way" here.

19. Hot Water Music - The Fire, The Steel, The Tread 7'' (No Idea)

Hot Water Music hasn't released any new material since 2004's The New What Next (unless you count that Bouncing Souls cover), so this has been a long awaited and much anticipated release for me. They played Milwaukee, WI earlier this year and some friends and I drove up to catch them at this ballroom venue, and they were incredible. This 7'' is great, but not HWM's best stuff. Still, it's nice to hear new tunes, and I can't wait for the release of the 3xLP of the Live in Chicago stuff. I was at both those shows in Feb. 2008 and can't wait to hear how that came out. Hopefully they put out a full length soon.

TOP TRACK: "Up To Nothing."

Stream here.

20. The Copyrights - Crutches 7'' (It's Alive)

The Copyrights released North Sentinel Island via It's Alive and Red Scare, and It's Alive pressed this 7'' to accompany it. It features "Crutches," from the record, a demo version of "Worn Out Passport," also from the record and two demos that didn't make the record. I'm glad The Copyrights went with the songs they did for the full length, but for any fan, this 7'' is an essential and fun release to have.

TOP TRACK: "Current Event (Demo)."

Top Splits of 2011

1. Cheap Girls/Lemuria 7'' (No Idea)

Cheap Girls and Lemuria are two bands I just got into this year, so this split has been getting a lot of play. Lemuria offers two songs to Cheap Girls' one, but all three are solid. The Cheap Girls song may be the best Cheap Girls song I've heard to date, and the Lemuria ones are among my favorites of theirs as well. This one's essential to your collection, and the best split 7'' of 2011.

TOP TRACK: "Lemons (Lemuria)."

2. Spraynard/Sundials 7'' (Evil Weevil)

These bands are friends and teamed up this year to release this split, which is awesome. Both bands were new to me this year, and all their songs have been ear-pleasers. This split is fun, and I've found myself flipping it over and over again.

TOP TRACK: "Snowballs At Cops (Sundials)."

3. Dear Landlord/The Dopamines 7'' (Paper + Plastick)

Finally, new Dear Landlord songs, and they're awesome! Especially "Neighbors." More mentions of trailer parks and shitty living conditions, but it's easy to relate to. Their other one, "A Little Left," is a slower song, which picks up after about 0:45 and rules. The Dopamines' side is great as well, though if it was Dear Landlord vs. Dopamines, Dear Landlord wins (sorry, Dopes, I still love you). The Dopamines' best song on here is "Heads Up Dusters," which is extremely anthemic and will stick to you. This split rules and was worth every penny (though it did take forever for the label to release it, to which they made it available for super cheap, which was awesome. I think they're still super affordable, so get one!)

TOP TRACK: "Neighbors (Dear Landlord)."

Stream here.

4. Caves/Sundials 7'' (Kiss of Death)

Sundials made a lot of appearances this year, but they're one of the best bands of the year, and this split with Caves is awesome. I'm not so much a fan of the Caves side, but the Sundials songs here are golden.

TOP TRACK: "Viking Funeral (Sundials)."

5. Tenement/Cülo 7'' (Cowabunga)

At the very end of the year, Tenement squeezed in one more awesome release; a split with Chicago hardcore band, Cülo. Tenement's songs are a little more upbeat and fast on this one - not necessarily to match the hardcore on the opposite side, but in general. The Cülo side features five fast songs.

TOP TRACK: "Your Life Or Mine (Tenement)."

6. Mean Jeans/Hollywood 7'' (Big Neck)

I'm a huge Mean Jeans fan, so when I saw there were a limited number of these being pressed, I had to grab one. The Hollywood side is pretty good, but the Mean Jeans song is awesome. I hope they release another full length this year.

TOP TRACK: "(Let's Go Before I Blow My) Brains Out (Mean Jeans)."

7. Marvin Berry & the New Sound/Nude Beach 7'' (Freedom School)

Dammit, I can't find art for this 7'' anywhere. Not even the label has a picture of it on its site. I wish I had a scanner. But I don't. Handy. Anyway, Marvin Berry covers a song and plays an original. The Nude Beach side is great too. Oh hey, stream the split here.

TOP TRACK: "Howlin' At the Highway (Marvin Berry & the New Sound)."

8. Rise Against/Face To Face 7'' (Folsom)

Two of my favorite bands, back when Rise Against was local and hardcore, and Face To Face was...well, active. This 7'' is just fun. Rise Against covers one of my favorite Face To Face songs and while I'm not all that fond of the song Face To Face chose to cover, I think their spin on it is cool.

TOP TRACK: "Blind (Rise Against)."

Preview the split here.