Tuesday, March 9, 2010

The Beat Army Wants...YOU!


The brainchild of Mr. Paul Collins (The Nerves/The Beat/Paul Collins Beat, etc...) and I has finally gone live. The Beat Army is growing at a wild rate and I don't think it can be stopped!
What's The Beat Army?

The purpose of The Beat Army is to establish a network of people connected by their love of power pop, punk pop, new wave and rock 'n' roll to help ensure its success at the club level, where rock 'n' roll lives and breathes.

Straight from Paul Collins:

Hello, friends and fans of power pop, classic pop punk, and rock ‘n’ roll! After playing power pop for more than three decades, I feel I have earned the right to ask you to help me and other musicians like me to keep this form of music alive and well.

Therefore, I am taking matters into my own hands and forming THE BEAT ARMY.

When I began playing power pop at age 17, people were telling me rock ‘n’ roll was dead! Three decades later, rock ‘n’ roll is still alive and well. I have witnessed the hysteria over home taping, the advent of the CD, the evolution of quadraphonic to surround sound, sales milestones raised from platinum to triple platinum to quadruple platinum, but nothing’s had more impact than the Internet and all it has meant to our modern life.

Things change and things stay the same, it’s still a thrill to kiss a girl and it’s still damn hard to write a good pop song.

I am committed to continue playing my music for as long as I can. Since there are other like-minded musicians I can perform with like Gentlemen Jesse and his Men out of Atlanta, The Leftovers out of Portland, Deborah Iyall from Romeo Void, John Wicks from The Records and Penelope Houston from The Avengers, as well as new groups that are only just starting out, I see no reason why this can’t happen.

What we need is a network of people who will come out and support our shows and make sure that their friends will come too. This can be achieved easier now more than ever, thanks to the Internet.

With your active support, ticket prices can be lowered while allowing bands to make enough money to continue touring and keep making records, therein preserving this music that we all love - power pop! Furthermore, this gives us a chance to introduce our sounds to new generations of music-lovers who might form their own bands, thereby continuing the power pop tradition for decades to come.

If you share my feelings about this music and want it to endure, then join me and help build THE BEAT ARMY!

Keep on rocking in 2010!

Beat Commander Collins!

If you play in a band and are interested in joining the network, check this out:

A WORD TO THE BANDS:

Greetings, Power Poppers! I have an offer to propose that I know will work because I have already done it!

Here’s the deal: I need you and your band to help me with my next tour. In return, you’ll benefit from the proceeds, have a great time and become part of a network of power pop/rock ‘n’ roll bands working to help each other and keep the spirit of power pop alive.

You can make this happen by booking shows for us in your area at the cool clubs where you have already played so we can get decent terms and make handshake deals. No fuss - no muss - no agents - no managers.

Furthermore, my guitarist Eric Blakely and I will need a rhythm section. By partnering with your band, we would stay with you for a couple of days to rehearse with your bass player and drummer, who will complete the Paul Collins Beat for the shows you book for us. We are also asking to use two of your amps.

So what’s your return on investment? After taking all the expenses off the top - our airfare (Eric works for United Airlines, so we get a break on that), gas, food, etc... - we split the rest evenly.

My merch is mine and your merch is yours.

We have done this before and everyone has come out with money. More importantly, everyone has a good time. We have played in front of many enthusiastic crowds, who make it all worthwhile!

Now I’m recruiting bands who I can say are in so that THE BEAT ARMY has its core group of musicians for building our power pop/rock ‘n’ roll network. If you like the idea or have questions please send me an email with THE BEAT ARMY in the subject and include this info:

Your name:
Your band’s name:
The number of musicians in your band:
A few of the clubs you play in your area:
Gear you can share:
Transportation options:

Anyone like myself interested in networking and spreading the word, check this out:

ASK NOT WHAT POWER POP CAN DO FOR YOU, BUT WHAT YOU CAN DO FOR POWER POP.

Hello, everybody. Beat Commander Collins here. I have called all of you together to help spread the sounds of power pop, vintage pop punk, new wave, and rock ‘n’ roll.

As one of power pop's founding members with The Nerves and The Beat, I am doing all I can to keep this music alive. I recently did a Midwest/East Coast tour with Atlanta’s Gentlemen Jesse and His Men. We played 13 nights and had sellout shows in major markets, ending with a fantastic show at Maxwell's in Hoboken. How did we do this? By getting the word out through the Internet.

Now I'm going one step beyond, setting up an online BEAT ARMY to help propagate power pop music.

On March 28th, I will begin recording a new album with Jim Diamond at his Detroit Ghetto Records studio for Alive/Bomp! Records. Next is a club tour that will bring us to every nook and cranny in this country. Musicians from all over the USA have joined forces with us to make this one of the best tours ever. The thrill I get from connecting with these musicians and you fans is fantastic. It gives me a renewed faith in rock ‘n’ roll!

JOIN US! Help us spread the word. Make each show an event. Bring your friends and family and your cats and dogs. Help us create a party to celebrate this wonderful world of POWER POP!

How can you help? Join THE BEAT ARMY. Sign up by e-mailing us the following info with BEAT ARMY in the subject to paulcollinsband@gmail.com. Include:

Your name:
Your location:
Skills you can offer:
Names of your favorite bands/performers:
Your favorite clubs:

Also, check us out on Facebook!

Monday, March 1, 2010

Alkaline Trio set list (2.28.2010) @ Metro Chicago, IL




Photos taken by Andy Keil:

It's always a pleasure to see Alkaline Trio rock the Metro. Never does my voice get more exhausted.
"I wonder what the set list was," you think to yourself, as you're sitting at your computer?

Set list:
This Addiction
Armageddon
Emma
Dine, Dine My Darling (Matt Skiba's favorite track off the new album)
We've Had Enough
Mr. Chainsaw
Dead On the Floor
Fatally Yours
Crawl (Which then turned into "Paul," by the Smoking Popes at the end)
Stupid Kid
Snake Oil Tanker
Blue Carolina
Private Eye
100 Stories
Dorothy
Sadie
My Friend Peter
97
*encore*
Fine
Attitude (By The Misfits, duh!)
San Fransisco
Radio

I had to change my jeans after I got home cause they were saturated in protein.

Thursday, February 18, 2010

Q&A with Ryan Young of OFF WITH THEIR HEADS

While Ryan was in the studio recording Off With Their Heads' next record, he took some time to chat with me about the new record coming out on Epitaph Records as well as a bunch of random shit.

Squid Pro Quo: I listened to "Listerine" today (via www.myspace.com/ryanyoungowth). I dig that. That's going to be an OWTH tune?

Ryan Young: Yeah. In the studio now.

SPQ: Now that you guys are on a bigger label, how's the sound? Kinda keeping that momentum with "From The Bottom"?

Ryan: It will be a little better than that. We have two weeks in a crazy good studio as opposed to three days in a shithole, so we have time to make it rule.

SPQ: About how many songs are you guys lookin' at having on there?

Ryan: We are recording 15, but I dont think they will all go on there.

SPQ: Cool man. Do you guys have a name for the album yet?

Ryan: Not yet. We usually take the album name off some lyrics from the last song. Haven't gotten that far yet.

SPQ: Oh, neat. Where are you guys recording it?

Ryan: We are recording at The Terrarium. Dillinger 4 and Banner Pilot did records here.

SPQ: That last Banner Pilot album sounds phenomenal. Especially compared to Resignation Day.

Ryan: Yeah it does. This one will be even better because those dudes are mastering it at some crazy expensive place.

SPQ: Shit yeah. So what next? Awesome tours? I know you guys toured with Against Me! semi-recently. More stuff like that?

Ryan: Nothing much planned yet. Just that couple months touring starting in February.

SPQ: Headlining that, right?

Ryan: Except for the dates with The Queers.

SPQ: Oh, no way. Are you guys coming through Chicago with The Queers?

Ryan: Nope. Its mostly canada

SPQ: Word. So how did this thing with Epitaph end up? Did they just randomly discover you or how did that work?

Ryan: Brett (Gurewitz) called me last year and said he was a fan. We chatted for a while, went and had pizza at his house when we were on tour, visited the office and he basically gave us a really good offer that we would have been dumb to turn down, especially with the decline of record sales.

SPQ: Awesome. So how come it's not "official" yet. Just needs to be announced kinda thing?

Ryan: Yeah, they wait for the right time or something.

SPQ: So here's a cliche question for ya: where do you guys get influence from? Most songs seem like just personal events/situations. Still doing that?

Ryan: Yeah. It's all the same.

SPQ: So what's the lineup for the recording? And will it stay the same for the touring?

Ryan: It's Justin, Zack, Nate (Gangelhoff) and I and no, it changes for touring.

SPQ: With so much time on the road, how do you find the time to write?

Ryan: I write about as much as I did before we toured all the time. It either comes to me or it doesn't and when it does, it happens fast.

SPQ: Just those random cosmic waves of inspiration, eh?

Ryan: I guess so. Probably just the weed though.

SPQ: I had to take a hair test for my job now. It's retarded how some employers are.

Ryan: I think I would be unqualified to work any kind of job. I'd ruin the drug test lab.

SPQ: What's been your biggest obstacle over the years?

Ryan: Probably coming to terms with the fact that this is just what I do and I'm not really good at anything else. I always kinda wonder what I would be doing if it weren't this, and it's always something much less meaningful or completely worthless. At least I'm doing something that most people won't get a chance to.

SPQ: Realistically, what do you think you'd be doing if it weren't for playing music? Or even not-so-realistically. Hell, what did you want to be when you were a kid?

Ryan: I've always wanted to do this, so I guess I win. It isn't nearly as glamorous as it might seem, especially with the record sales being way down. If we were doing this 10 years ago, I would probably be pretty well-off. If I weren't doing this, I'd be painting houses.

SPQ: Probably better money in painting houses, haha. But also probably not as gratifying since you've always wanted to play music. Gotta live your heart. That's good! Man, playing music 10 years ago would be cool. Just when the illegal downloading of music was in its infant stages...

Ryan: Yeah. I would actually make more money delivering pizzas two days a month than being in this band. We have been touring for six years. I didn't start getting paid anything until last year.

SPQ: So all the show money just went to food and gas?

Ryan: Yeah, and that didn't cover it. We are still out years of paying for all that stuff. Even with From The Bottom selling around 10,000 (copies).

SPQ: So you've really gotta "make it" in order to actually MAKE anything these days.

Ryan: Pretty much

SPQ: Well, hopefully with Epitaph, you guys take off. I know they push the hell out of their catalog with street teams and a wider distro and all that.

Ryan: Yeah, we'll see. I'm not sure if the masses are ready for this kind of music. Especially the masses that Epitaph deals with. It's clearly different than that other silly stuff they put out over the last while.

SPQ: Not the ol' California Warped Tour garbage, eh? That's comforting. Well, hey man. Maybe it'll be a tide of change and you guys will pioneer it.

Ryan: That's what I'm hoping for.

SPQ: Aside from Epitaph, what's been the best part of fronting OWTH over the years?

Ryan: I'd say getting to meet all of my "idols". That's pretty awesome.

SPQ: Best show ever?

Ryan: The Fest shows the last couple years were rad.

SPQ: I saw the video of you and Paddy where you burned the money, haha. That shit was hilarious.

Ryan: We are dumb together

SPQ: Hahaha. Committing crimes on camera. Tsk tsk. Do you have any pet peeves? Or anything while touring that you don't like?

Ryan: TONS of shit. You just get overly sensitive about little things when you spend too much time with anyone. Once you realize that, you see that it's not a big deal.

SPQ: Kind of like any relationship, I guess?

Ryan: Totally

SPQ: Speaking of, you guys have women? How does that work with you all being so busy on the road? Is it just different chicks every night? Banging in all 50 states-style?

Ryan: Hahaha. I have a girlfriend. Same one for over the last year and a half.
It's fine. I don't really like hooking up with random girls. They usually suck.

SPQ: That's the best part! I guess only when it's with their mouths. What are some of your favorite bands "today"?

Ryan: I don't really like much current music. I like gangsta rap because it's funny. I like pop music for the same reasons. Lady Gaga rules.

Thursday, February 4, 2010

The Fizzy Pops - "The Fizzy Pops" review:




Finally - some good pop punk by teenagers and not 35-year olds! The Fizzy Pops, from the western 'burbs of Chicago, released its debut, self-titled album in December 2009 on Throw Up Records.
The trio alternates vocal duty between bassist Luke Ostojic and guitarist Caitlin Ferraro. Their tunes channel influences from early Green Day, Screeching Weasel and The Queers. It's especially noticeable when Caitlin busts out the catchy, poppy solos leading songs like "Friday The 13th" and "My Boss Is a Weirdo." Unlike a lot of pop punk bands, the bass player doesn't follow every note the guitarist does, which is refreshing. The two instruments play well off each other, almost giving some of the tracks a hint of ska influence. A confrontational tune, "Weasel," is led by Cait (which may or may not be about Ben Weasel). Not sure. Then some tunes, like "Loose Screws," almost seems to pull more of a Vindictives influence than anything else, combining a fast beat and snotty and somewhat non-traditional, "unpretty" pop punk vocals. I recommend this album to anyone who is a fan of any of the aforementioned bands. And The Muffs, cause sometimes Cait's vocals remind me of Kim Shattuck's. Also, these dudes (and dudette) are fun to see live - very full of energy!

3.5/5

TOP TRACK: "Friday The 13th"

Saturday, January 16, 2010

The Roman Line - "Morning Portraits" review:



Toronto's The Roman Line were a band featured on the Merman Records' 4-way Sea Creatures split .
"Morning Portraits" has a very consistent feel and not much dynamic outside of its punk/alt/country influences. The band's MySpace page says they are influenced by Screeching Weasel, Hank Williams, Johnny Cash, The Queers, Tom Waits, The Misfits and others. It's an interesting mix. The result of all those influences is a lot of gang vocals and a pretty straight-forward rock and roll band. Their influences show through a lot. For example, "Worst Case Ontario" is a real electrified country lick. It's got all the standards - modesty, references to nature, nostalgia and alcohol.
"Talbot & Inkerman" is more on the Tom Waits side of the proverbial tracks. It's a piano-led song with hand claps as the main percussion. Gang vocals for the chorus on top of it all makes it sound like somewhat of a drinking song. But it's only 1:26, the shortest song on the album (unless you count the intro, which isn't a song). The piano pokes its head out here and there throughout the album.
I got a real Social Distortion-type feel from this. The band's lead singer almost seems to emulate Mike Ness's voice.
"No Vacancy" is a song that kind of hates on their hometown of Toronto. In the end, he laughs and says, "I'm just playing Toronto, you know I love you." I don't really get it, as I've never been to Toronto. But apparently there are a lot of hipsters there. Man, if this band comes to Chicago, hopefully they get a gig in Logan Square or Wicker Park. Hipster-hating song part two will be written. All in all, I kinda dug this album. There's a lot going on and it's pretty original for still somehow managing to fit into the pop-punk scene.

Rating: 3.5/5 stars

TOP TRACK: "Dawn After the Wreck" (Merman Records/2010)

Wednesday, January 13, 2010

Pre-Order "This Addiction" by Alkaline Trio

I know this one's gonna make it to my "Top 10 of 2010" list in about 11 months.



Saturday, January 9, 2010

Berndsen - "Lover In The Dark" review:



I've never really strayed from the "punk" genres when it comes to interviews and certainly not reviews. But I'm going to make an exception here and it's all because of my best friend showing me a "fucked up music video." The song is called "Supertime" and the artist - David Berndsen from Iceland.
The video was this dude with a red beard and a suit dancing on an upside-down car with his friends pulling the injured and dying passengers out and dancing with them. It was very funny in a real dark way. The combination of the awesome video I had just witnessed and that catchy song I just heard made me want more instantly. About a week later, I found a video for the title track of his debut album, "Lover In The Dark." I was amazed. Sold. Fast forward to about New Years Eve and I get the album.
"Lover In The Dark," made up of 11 tracks and totaling 36:23, starts off with an instrumental electronic intro building up to the title track from the video, "Lover In The Dark."
It feels like you're inside of a game of Tetris backed with dance-y electro-pop. Which rules. In the video, Berndsen's mission is to spread love with a ray gun of sorts. He sees people punching each other, zaps them, and voila! They hug and his heart meter goes up. The message: You're just a lover hiding in the dark.
After that is "Supertime," from his other music video with the bloody car wreck passengers and the dancing. It's definitely the catchiest tune of the album. It's a love song. And there's an amazing breakdown in the song with a bitchin' guitar solo. I love that solo.
The rest of the nine tracks unfortunately are not renditioned with YouTube videos, but in my opinion, they are better than the first two. "Young Boy" is a song about, well, a young boy with too much love to give.
"Radio Frequencies" slows it down a little but has a real strong beat keeping the flow of the album going. I think if it was played in a club, it would be a fist-pumping dance song. For almost five minutes, this track keeps the beat going. Then "Coma." A 0:54-long ambient, sort of slow, spacey instrumental intermission to the album. It picks up real fast with "In Sight." It's a real '80s-feeling tune. Very synth-y. Very poppy.
Then an interesting kind of space-age song called "The Perfect Human" starts up. It's almost reminiscent of "2001: A Space Odyssey," if its soundtrack had turned DANCE! Then it gets danc-y AND robotic. Sure to please your motherboard and your processor.
Then my favorite track is up; "400 Trips." It's another '80s-dance-pop-sounding" tune. But the electronic instrumentals in this song are incredibly catchy and good. It doesn't come in until about 1:15 into the song. But once it does...HOT DAMN! The album then gets a little darker (go figure) with "Dark Times." The sound effects sound like they're straight out of a horror movie. Perhaps one involving a house that is built on a haunted hill. It actually sounds like the level in Mario where you have to evade the ghosts.
The final track on the album is called "On My Mind." It is a great closer. The tune's about Berndsen being alone, still thinking about a certain someone. Kind of sad. Kind of lonely. But it follows the pattern of love, only adding a little loss to the mix. The album then fades to silence.
I recommended "Lover In The Dark" to anyone who is open to something new. Or if you like bands like The Postal Service and The Faint. But beyond all that genre-specific crap are 9 great pop songs that have earned a spot in my heart. It's as if I've been zapped by Berndsen's ray gun...

Rating: 5/5 stars

"Supertime" video: http://www.youtube.com/watch?v=ysPcyOvNJew

"Lover In The Dark" video: http://www.youtube.com/watch?v=bAhF9_iB2qs